In a time in which artists repeat their formulas to exhaustion, few bands manage to surprise you with their new works. And that’s exactly what the Belgian band Struggler achieves with their new seven-track album/EP entitled Zugzwang. While in the past they dazzled us with an abrasive style featuring piercing guitars and a hard rock approach, they now deliver softness and a more electronic sound. The band, led by Rene Hulsbosch, released their first single, titled “Wanted,” in 1980, and two years later, the cult album It Was A Very Long Conversation But At the End We Didn’t Shake Hands. After a hiatus, they returned with the abrasive The Gap in 2017, which was followed three years later by the highly recommended Wilma Determined Protector, and now, in 2026, the band has released Zugzwang. It’s available on vinyl, and you can place your order directly with the band via their Facebook page.
Zugzwang is a term from chess that refers to the obligation to move, to the situation where any allowed move worsens your position. Thus, Struggler makes a move by releasing an EP that differs from all their previous work but shares the inherent darkness of the band. The album surprises right away with “XIV,” the opening track, featuring Rene whispering over a delicate background until the piano enters with great emotional effect. In contrast, “Summernight” seems to immerse us underwater in a more electronic, intense, and dark track, rich in atmosphere and highly addictive. “The Dead Flower” features a duet with a jazzy sound that reminds me of Matt Elliott or Tom Waits, complete with a tavern choir, accordion, and a relaxed rhythm. Alexandrina Alves collaborates, whom we got to know and see dance with the band at the last Sinner’s Day. “Last But Not Least” is a dark, terrifying piece; in less than three minutes, the band manages to create an unsettling atmosphere. It is the track most reminiscent of the old Struggler. “Hitch” continues with the same oppressive and dark feeling but with a more cinematic sound. “Zugzwang” is a more electronic track with screeching guitar. The album comes to an end with the cinematic electronic piece “Again,” with Rene repeating “tomorrow” as in the first track. An EP to savor over time.
