{"id":2173,"date":"2018-10-22T11:44:30","date_gmt":"2018-10-22T09:44:30","guid":{"rendered":"http:\/\/elgarajedefrank.es\/?p=2173"},"modified":"2020-01-05T18:29:46","modified_gmt":"2020-01-05T17:29:46","slug":"negativland-les-grands-peres-des-avalanches","status":"publish","type":"post","link":"https:\/\/elgarajedefrank.es\/fr\/negativland-les-grands-peres-des-avalanches\/","title":{"rendered":"Negativland : les grands-p\u00e8res des Avalanches"},"content":{"rendered":"
\n

Escape from Noise<\/i> de Negativland<\/b> a \u00e9t\u00e9 l\u2019un des premiers disques que j\u2019ai achet\u00e9s sur Amazon. J\u2019avais vu le nom de ce groupe cit\u00e9 plusieurs fois dans plusieurs revues, et j\u2019\u00e9prouvais de la curiosit\u00e9. C\u2019\u00e9tait une autre \u00e9poque, je ne connaissais pas YouTube, Spotify n\u2019existait pas et je n’utilisais pas Napster. Quand j\u2019ai re\u00e7u le disque chez moi, \u00e0 Las Musas, j\u2019ai pu l\u2019\u00e9couter, mais il ne s’agissait pas vraiment de ce \u00e0 quoi de m\u2019attendais. Je n\u2019\u00e9tais pas pr\u00e9par\u00e9 pour quelque chose d’aussi diff\u00e9rent de l’indie pop-rock que j\u2019\u00e9coutais alors. J’ai gard\u00e9 le disque, et l\u2019oubliais jusqu’\u00e0 ce que je m\u2019ach\u00e8te, quelques ann\u00e9es plus tard, la session de Swayzak<\/b> pour la Fabric (l’une de ces sessions sensationnelles empaquet\u00e9es dans des bo\u00eetes de m\u00e9tal). Mon ami Hamid (je parlerai de lui \u00e0 une autre occasion) a \u00e9galement utilis\u00e9, quelques ann\u00e9es plus tard, leur \u00ab\u00a0Michael Jackson\u00a0\u00bb lors de l’une de ses sessions de house.<\/span><\/p>\n<\/div>\n

\"\"Negativland<\/b>, fils ill\u00e9gitimes de Throbbing Gristle<\/b> et des Residents<\/b>. Sans eux, on ne comprendrait pas les Avalanches<\/b>, ni DJ Shadow<\/b> et Coldcut<\/b>, ni aucun de ces groupes qui, dans leur description, utilisent les expressions cut n\u2019 paste ou collage sonore. Groupe \u00e0 l’humour aussi caustique que celui de Frank Zappa<\/b>, Negativland<\/b> tire son nom d\u2019une musique de Neu!<\/b>. Ils ont commenc\u00e9 \u00e0 se d\u00e9marquer avec leur disque A Big\u00a0 10-8 Place<\/i>, sorti en 1983. Selon les notes de la r\u00e9\u00e9dition, cette esp\u00e8ce de travail sur le Cont\u00e9 de Contra Costa leur a co\u00fbt\u00e9 quelque trois ann\u00e9es de travail. Le travail de coupe et de collage pr\u00e9num\u00e9rique de ce disque en fait l’une des \u0153uvres pr\u00e9f\u00e9r\u00e9es de leurs fans (s’il en existe). Quelques ann\u00e9es plus tard, en 1987, ils ont sorti Escape from Noise<\/i>, consid\u00e9r\u00e9 comme leur chef-d’\u0153uvre, o\u00f9 figure \u00ab\u00a0Christianity is stupid\u00a0\u00bb, musique qui a par la suite inspir\u00e9 leur disque suivant.<\/span><\/p>\n

Helter Stupid<\/i>, le disque duquel je veux parler ici, na\u00eet d’une farce\u00a0: le 30 f\u00e9vrier 1988, David Brom est arr\u00eat\u00e9 pour l’assassinat de son p\u00e8re, de sa m\u00e8re, de son fr\u00e8re et de sa s\u0153ur dans le Minnesota. Selon le New York Times, le motif de la dispute qui a fini en massacre \u00e9tait peut-\u00eatre une cassette de musique. Le journal pr\u00e9cise \u00e9galement que la famille \u00e9tait chr\u00e9tienne. Le 3 mars de la m\u00eame ann\u00e9e, Negativland<\/b> annule la tourn\u00e9e pr\u00e9vue apr\u00e8s le succ\u00e8s relatif du disque ant\u00e9rieur. En voyant qu\u2019en r\u00e9alisant la tourn\u00e9e ils allaient perdre de l\u2019argent, ils envoient une note de presse \u00e0 leur maison de disque de l\u2019\u00e9poque, SST, qui explique que l\u2019officier f\u00e9d\u00e9ral Dick Jordan leur a interdit de sortir du pays en raison de l\u2019assassinat des Brom. Ils confient \u00e9galement qu’ils se sont disput\u00e9 \u00e0 propos de la musique \u00ab\u00a0Christianity is stupid\u00a0\u00bb <\/i>Lorsque la note est rendue publique, plusieurs tentent de parler avec le groupe, mais celui-ci refuse, pr\u00e9tendant qu\u2019il ne peut pas parler et faire r\u00e9f\u00e9rence \u00e0 une certaine cassette de musique. La nouvelle se r\u00e9pand et certains journaux la rendent encore plus r\u00e9elle en citant de fa\u00e7on erron\u00e9e d’autres. La critique des moyens de communication, de la fa\u00e7on dont se construisent les informations et de comment celles-ci croissent \u00e0 partir de citations, jamais v\u00e9rifi\u00e9es, d’autres informations, est la base de ce disque, \u00e9quilibre parfait entre l’humour et la critique.<\/span><\/p>\n

Au niveau musical, Helter Stupid<\/i> se compose d’une musique spectaculaire, o\u00f9 ils utilisent \u00ab\u00a0Spring Rain\u00a0\u00bb de Silvetti<\/b> comme base, des samples de Lenny Bruce, les Beatles<\/b> et m\u00eame \u00ab\u00a0Christianity is stupid\u00a0\u00bb. Tout ceci laisse entrevoir ce que seront plus tard les Avalanches<\/b>. La seconde partie du disque consiste en plusieurs prises de \u00ab\u00a0The Perfect Cut\u00a0\u00bb une attaque envers l’industrie de la musique et la tentative de r\u00e9cup\u00e9ration de la musique des ann\u00e9es 1970. Pour mieux m\u2019expliquer, s\u2019ils avaient sorti ce disque dix ans plus tard, nous \u00e9couterions des samples de l\u2019annonce de Burning Heart<\/i>, ce joyau de la t\u00e9l\u00e9vision regorgeant de ballades des ann\u00e9es 1980 et d\u2019AOR.<\/span><\/p>\n

J’ai eu la chance de pouvoir les voir au Lo-Fi de Milan et leur concert a \u00e9t\u00e9 la repr\u00e9sentation parfaite de ce qu\u2019ils font en disque. Pas aussi novateur qu\u2019il y a trente ans, le groupe a souffert de plusieurs pertes, parmi elles, la plus r\u00e9cente, celle du membre d\u2019origine Richard Lyons, en avril. La critique du groupe, en ces jours de d\u00e9sinformation, est aussi fortement en vigueur que dans les ann\u00e9es 1980, et sa musique se savoure aussi bien qu\u2019elle d\u00e9nonce.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Escape from Noise de Negativland a \u00e9t\u00e9 l\u2019un des premiers disques que j\u2019ai achet\u00e9s sur…<\/p>\n","protected":false},"author":1,"featured_media":2175,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[440],"tags":[358,368],"class_list":["post-2173","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-infos","tag-musique-electronique","tag-musique-industrielle"],"yoast_head":"\nNegativland : les grands-p\u00e8res des Avalanches — El Garaje de Frank<\/title>\n<meta name=\"description\" content=\"— Reportage sur Negativland.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/elgarajedefrank.es\/fr\/negativland-les-grands-peres-des-avalanches\/\" \/>\n<meta property=\"og:locale\" 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