{"id":2115,"date":"2018-11-12T10:47:09","date_gmt":"2018-11-12T09:47:09","guid":{"rendered":"http:\/\/elgarajedefrank.es\/?p=2115"},"modified":"2020-01-05T18:30:20","modified_gmt":"2020-01-05T17:30:20","slug":"chronique-du-le-guess-who-2015","status":"publish","type":"post","link":"https:\/\/elgarajedefrank.es\/fr\/chronique-du-le-guess-who-2015\/","title":{"rendered":"Chronique du Le Guess Who? 2015"},"content":{"rendered":"
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Le 19 novembre dernier, je me suis rendu au Le Guess Who, \u00e0 Utrecht. C\u2019est sans aucun doute l\u2019un des festivals \u00e0 l\u2019affiche la plus originale et la plus risqu\u00e9e auxquels j\u2019ai pu assister derni\u00e8rement. Avec des t\u00eates d\u2019affiche pas tr\u00e8s mainstream, comme Dearhunter, Ariel Pink<\/b> ou le jazzman hype Kamasi Washington<\/b>, et une s\u00e9lection unissant pass\u00e9 et pr\u00e9sent, avant-garde et tradition, le festival a \u00e9t\u00e9 assez \u00e9loign\u00e9 de ce qui se fait d\u2019habitude dans ces terres. Cette derni\u00e8re \u00e9dition a pr\u00e9sent\u00e9 une sc\u00e8ne avec des artistes s\u00e9lectionn\u00e9s par les rois du metal drone, Sunn O)))<\/b>, une autre par Jacco Gardner<\/b>, une autre par le festival Levitation (anciennement connu sous le nom d\u2019Austin Psych Fest) et \u00e9galement par la maison de disque Constellation Records.<\/span><\/p>\n

\"\"Sans aucun doute, le concert de cette \u00e9dition a \u00e9t\u00e9 celui d\u2019Annette Peacock<\/b>, qui, jouant du piano et coiff\u00e9e d\u2019une perruque, a donn\u00e9 un r\u00e9cital saisissant. L\u2019\u00e9motion a \u00e9t\u00e9 \u00e0 son maximum et les larmes baignaient le bel auditorium o\u00f9 nous avons eu la chance de vivre cette exp\u00e9rience inoubliable.<\/span><\/p>\n

Un autre artiste inclassable, Keiji Haino<\/b>, a donn\u00e9 un concert pour le moins \u00e9trange. C\u00e9l\u00e8bre pour sa fa\u00e7on tr\u00e8s particuli\u00e8re de jouer de la guitare, il a r\u00e9alis\u00e9 ce qu\u2019on pourrait appeler une performance avec des cloches. Plus d\u2019une personne s\u2019attendait \u00e0 autre chose.<\/span><\/p>\n

Malheureusement, j\u2019ai rat\u00e9 le concert de The Space Lady<\/b> en raison des chevauchements, autre artiste inclassable que j\u2019avais connue peu de mois auparavant en raison de sa participation au festival.<\/span><\/p>\n

Deerhunter<\/b> et leur art pop ont jou\u00e9 en dernier le dimanche, apr\u00e8s un concert bizarre de leur leader, sous le nom d\u2019Atlas Sound<\/b>. Un grand nombre de groupes de rock actuels, comme A place to bury strangers,<\/b> qui cette fois ne m\u2019ont pas tellement plu \u2014 la moiti\u00e9 de leur concert a \u00e9t\u00e9 quelque peu d\u00e9concertante \u2014 ont \u00e9galement particip\u00e9 au festival. Viet Cong<\/b>, qui selon moi ont \u00e9t\u00e9 l\u2019une des d\u00e9ceptions de cette \u00e9dition, ont jou\u00e9 sans y mettre du leur. Par contre, j\u2019ai \u00e9t\u00e9 agr\u00e9ablement surpris par les puissants Lightning Bolt<\/b>, les Titus Andronicus<\/b>, les nouveaux Fall<\/b> que sont Ought<\/b>, les Japonais Bo<\/b> Ningen<\/b> et Metz<\/b>. Protomartyr<\/b>, autre groupe qui rappelle The Fall<\/b>, ont donn\u00e9 un tr\u00e8s bon concert pour la pr\u00e9sentation de leur nouveau disque.<\/span><\/p>\n

Pour finir quelques journ\u00e9es, nous avons eu le droit \u00e0 une bonne s\u00e9lection de musique \u00e9lectronique\u00a0: les Demdike Stare<\/b> ont mis un point final \u00e0 un jeudi qui avait commenc\u00e9 au bureau. Blank Mass, Prefuse 73<\/b>, l\u2019omnipr\u00e9sent Lee Gamble<\/b> et Adrian Sherwood<\/b>, dont je n\u2019ai pu voir que le commencement de sa session de classiques en raison des retards, \u00e9taient \u00e9galement pr\u00e9sents.<\/span><\/p>\n

La partie metal du festival a \u00e9t\u00e9 repr\u00e9sent\u00e9e par les \u00e9tourdissants Sunn O)))<\/b>, qui ont commenc\u00e9 en retard, car le groupe russe Phurpa<\/b> n\u2019a pu arriver \u00e0 temps en raison de probl\u00e8mes de visa et ont \u00e9t\u00e9 remplac\u00e9s par le guitariste de Earth<\/b>. Je n\u2019ai pas vu le concert en entier, mais la demi-heure \u00e0 laquelle j\u2019ai assist\u00e9 m\u2019a donn\u00e9 l\u2019envie de retourner les voir dans une salle plus petite. Le jeudi, j\u2019ai vu OM<\/b> qui avaient jou\u00e9 avec Lichens<\/b>, que j\u2019ai pu voir il y a peu en solitaire.<\/span><\/p>\n

Le jazz a \u00e9galement eu sa place, non seulement avec Kamasi<\/b>, qui a pr\u00e9sent\u00e9 son acclam\u00e9 The Epic<\/i>, mais aussi avec Bennie Maupin<\/b>, qui a particip\u00e9 avec son saxo et sa clarinette basse \u00e0 des disques comme Headhunters<\/i> de Herbie Hancock<\/b> et Bitches Brew<\/i> de Miles Davis<\/b>. \u00c0 ses c\u00f4t\u00e9s, un artiste pas aussi c\u00e9l\u00e8bre, Okay Temiz and la Fanfare du Belgistan<\/b>, a donn\u00e9 un concert o\u00f9 le percussionniste turc a jou\u00e9 avec de jeunes musiciens un m\u00e9lange de musique turque et de jazz.<\/span><\/p>\n

\"\"La musique turque a aussi \u00e9t\u00e9 la protagoniste du dimanche. La premi\u00e8re artiste, Gaye Su Akyol<\/b>, a m\u00e9lang\u00e9 la musique traditionnelle turque au rock, et a ensuite \u00e9t\u00e9 suivie de Mustafa \u00d6zkent<\/b>, qui a con\u00e7u un joyau perdu de funk et de jazz. J\u2019appr\u00e9cie toujours ces festivals qui se d\u00e9marquent en ne programmant pas uniquement de la musique anglaise. Ainsi, nous avons pu voir l\u2019Orchestre Poly Rythmo de Cotonou<\/b>, qui ont jou\u00e9 il y a quelques ann\u00e9es au Primavera Sound, entendre l\u2019afro beat de Baba Commandant and the Mandingo band<\/b>, ou encore, d\u00e9couvrir la r\u00e9v\u00e9lation Islam Chipsy<\/b>, qui ont jou\u00e9 au Villamanuela de Madrid et qui ont enchant\u00e9 le public.<\/span><\/p>\n

Trois concerts de musique traditionnelle du Liban ont \u00e9galement \u00e9t\u00e9 organis\u00e9s, notamment celui de Dirar Kalash<\/b>, qui rempla\u00e7ait Remi<\/b>, qui a \u00e9galement eu des probl\u00e8mes de visa.<\/span><\/p>\n

Le rock (dans le sens le plus libre du terme) a \u00e9t\u00e9 repr\u00e9sent\u00e9 par Faust<\/b>, l\u00e9gendes du krautrock (cette appellation p\u00e9jorative a donn\u00e9 son nom \u00e0 la derni\u00e8re musique de leur quatri\u00e8me disque), qui ont jou\u00e9, sans faire aucune concession au pass\u00e9. \u00c0 leurs c\u00f4t\u00e9s, The crazy world of Arthur Brown<\/b>, le grand-p\u00e8re de Kiss<\/b> et de King Diamond<\/b>, dont la chanson la plus c\u00e9l\u00e8bre, \u00ab\u00a0Fire\u00a0\u00bb, fut sampl\u00e9e par Prodigy<\/b>. De la France et du Br\u00e9sil sont arriv\u00e9s deux groupes essentiels\u00a0: la l\u00e9gende du rock\/jazz Magma<\/b>, qui ont jou\u00e9 de fa\u00e7on magistrale leurs th\u00e8mes des ann\u00e9es 1970 et Os Mutantes<\/b>, groupe phare du tropicalisme, qui ont pr\u00e9sent\u00e9 des chansons de toute leur discographie. Quel bonheur d\u2019\u00e9couter \u00ab\u00a0Bat Macumba\u00a0\u00bb et surtout \u00ab\u00a0Pan e circus\u00a0\u00bb. Rita Lee ne chante plus avec eux, mais a \u00e9t\u00e9 remplac\u00e9e dignement. Tout cela, sans oublier Nick Garrie<\/b>, oubli\u00e9 pendant un temps, qui a jou\u00e9 les derni\u00e8res musiques de son disque r\u00e9\u00e9dit\u00e9 The Nightmare of J.B. Stanislas<\/i>. Le punk-funk revitalis\u00e9 de The Pop Group<\/b> a impos\u00e9 la fin du quota des l\u00e9gendes. La musique contemporaine a \u00e9t\u00e9 repr\u00e9sent\u00e9e par l\u2019un des plus grands noms du minimalisme, Charlemagne Palestine<\/b>, qui, lors de son \u00e9trange performance, a pass\u00e9 quinze bonnes minutes \u00e0 trinquer et \u00e0 s\u2019\u00e9tonner du son produit par son verre. Mais, quand il s\u2019est install\u00e9 \u00e0 son piano, il a r\u00e9ussi \u00e0 nous faire oublier ces minutes perdues. Lubomyr Melnyk<\/b>, consid\u00e9r\u00e9 comme \u00e9tant le pianiste le plus rapide vivant, ainsi que The Necks<\/b> et d\u2019Hildur Gu\u00f0nad\u00f3ttir<\/b>, ont compl\u00e9t\u00e9 le quota classique du festival.<\/span><\/p>\n

Si tout ce qui pr\u00e9c\u00e8de ne vous a pas surpris, Destroyer, The Notwist, Jacco Gardner, Josh T. Pearson<\/b> ou Mikal Cronin<\/b> ont \u00e9galement particip\u00e9 au festival.<\/span><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Le 19 novembre dernier, je me suis rendu au Le Guess Who, \u00e0 Utrecht. C\u2019est…<\/p>\n","protected":false},"author":1,"featured_media":1986,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[39],"tags":[312,348],"class_list":["post-2115","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chroniques","tag-chronique","tag-le-guess-who-fr"],"yoast_head":"\nChronique du Le Guess Who? 2015 — El Garaje de Frank<\/title>\n<meta name=\"description\" content=\"Chroniques — Chronique du Le Guess Who? 2015.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/elgarajedefrank.es\/fr\/chronique-du-le-guess-who-2015\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Chronique du Le Guess Who? 2015 — El Garaje de Frank\" \/>\n<meta property=\"og:description\" content=\"Chroniques — Chronique du Le Guess Who? 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