{"id":2098,"date":"2018-11-13T10:14:41","date_gmt":"2018-11-13T09:14:41","guid":{"rendered":"http:\/\/elgarajedefrank.es\/?p=2098"},"modified":"2020-01-05T18:40:56","modified_gmt":"2020-01-05T17:40:56","slug":"the-italian-new-wave-spaghetti-techno","status":"publish","type":"post","link":"https:\/\/elgarajedefrank.es\/fr\/the-italian-new-wave-spaghetti-techno\/","title":{"rendered":"The Italian New Wave : spaghetti techno"},"content":{"rendered":"<div data-blogger-escaped-style=\"font-family: Helvetica; line-height: normal; margin-bottom: 10px;\">\n<div data-blogger-escaped-style=\"font-family: Helvetica; line-height: normal; margin-bottom: 10px;\">\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\">Parfois, ma m\u00e8re me parle de ces solistes italiens qu\u2019elle \u00e9coutait quand elle \u00e9tait jeune, en ces jours o\u00f9 \u00e0 la radio, on entendait plus souvent Ti amo que I love you. Dans les ann\u00e9es 1980, nous avons eu une autre fourn\u00e9e d\u2019artistes italiens, comme le grand <b data-blogger-escaped-style=\"font-family: 'Times New Roman';\">Franco Battiato<\/b>, <b data-blogger-escaped-style=\"font-family: 'Times New Roman';\">Eros Ramazzotti<\/b> au chant nasal et l\u2019arbre fruitier <b data-blogger-escaped-style=\"font-family: 'Times New Roman';\">Mango<\/b>, entre autres. Plus tard, pendant ma jeunesse, on a d\u00fb supporter <b data-blogger-escaped-style=\"font-family: 'Times New Roman';\">Laura Pausini<\/b> avec son \u00ab Se fue \u00bb et <b data-blogger-escaped-style=\"font-family: 'Times New Roman';\">Nek<\/b> avec son \u00ab Laura no est\u00e1 \u00bb, et autres succ\u00e8s qui n\u2019\u00e9taient adapt\u00e9s aux diab\u00e9tiques. Aujourd\u2019hui, les Italiens reviennent \u00e0 la charge avec The Italian New Wave, sans chansons d\u2019amour, mais arm\u00e9s de fiers synth\u00e9tiseurs.<\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\">Je profite que certains aient particip\u00e9 \u00e0 l\u2019Electr\u00f3nica en Abril pour passer en revue quelques noms\u00a0:<\/span><\/p>\n<\/div>\n<div data-blogger-escaped-style=\"font-family: 'Times New Roman'; line-height: normal; margin-top: 5px; min-height: 15px; text-align: center;\">\n<p><span style=\"font-size: 12pt; font-family: georgia, palatino, serif;\"><b>Lorenzo Senni<\/b>\u00a0: il vient de signer avec WARP, ce qui signifie qu\u2019il passe dans la ligue de la musique \u00e9lectronique. Le chef de Presto!? a \u00e9t\u00e9 connu au niveau international avec <i>Quantum Jelly<\/i>, v\u00e9ritable d\u00e9construction de la transe des ann\u00e9es 1990, qui fut suivi deux ans plus tard par <i>Superimpositions<\/i>, au m\u00eame son r\u00e9p\u00e9titif et minimaliste que l\u2019ant\u00e9rieur. Son nouvel EP, <i>Persona<\/i>, pr\u00e9sente une claire \u00e9volution vers la piste de danse, tout en gardant la transe comme r\u00e9f\u00e9rence.<\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><b>Not Waving\u00a0:<\/b> Alessio Natalizia m\u00eale musique industrielle, EBM, \u00e9lectro, techno et dark ambient, cr\u00e9ant ainsi un r\u00e9sultat unique. Il enregistre dans la m\u00eame maison de disques que l\u2019omnipr\u00e9sent <b>Powell<\/b>, Diagonal, et a sorti un disque appel\u00e9 <i>Animal <\/i>tout comme une compilation int\u00e9ressante <i>Mutazione<\/i>. Cette derni\u00e8re est centr\u00e9e sur la nouvelle vague (celle des ann\u00e9es 1980) italienne, celle d\u2019artistes comme <b>Die Form<\/b> ou <b>Kirlian Camera<\/b>, que j\u2019ai d\u00e9j\u00e0 mentionn\u00e9s.<\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><b>Ninos do Brasil\u00a0<\/b>: ce sont les plus c\u00e9l\u00e8bres du lot. Batucada et confettis remplissent les concerts du duo qui travaille avec DFA et Hospital Productions (le label de <b>Prurient<\/b>). Leur chanson la plus c\u00e9l\u00e8bre, \u00ab Tuppelo \u00bb, est une d\u00e9monstration parfaite de leur son. Le groupe form\u00e9 par le c\u00e9l\u00e8bre artiste Nico Vascellari et Niccolo Fortuni a sorti en 2014 <i>Novos Mist\u00e9rios<\/i>, parfait m\u00e9lange de percussions br\u00e9siliennes, d\u2019\u00e9lectronique et de psych\u00e9d\u00e9lique. Comme un <b>Guincho <\/b>amoureux de la piste de danse.<b>\u00a0<\/b><\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><b>Vaghe Stelle<\/b>\u00a0: Daniele Mana, le producteur qui se cache derri\u00e8re ce nom si po\u00e9tique, est aussi influenc\u00e9 par la transe ou le grime. C\u00e9l\u00e8bre pour ses concerts hypnotiques, il a sorti son dernier disque <i>Abstract Speed + Sound<\/i> sous le label Other People (celui de <b>Nicolas Jaar<\/b>).<i> <\/i>Il a \u00e9galement cr\u00e9\u00e9 un projet avec <b>Lorenzo Senni<\/b>, appel\u00e9 <b>One Circle<\/b>, n\u00e9 lors de l\u2019unique \u00e9dition du Club to Club \u00e0 Istanbul.<\/span><\/p>\n<p><span style=\"font-size: 12pt; font-family: georgia, palatino, serif;\"><b>Shapednoise<\/b>\u00a0: c\u2019est le plus obscur. Cet Italien vivant \u00e0 Berlin s\u2019est rendu c\u00e9l\u00e8bre avec une cassette limit\u00e9e publi\u00e9e sous le label de <b>Prurient<\/b>, et est co-fondateur de REPITHC. L\u2019am\u00e9nagement paysager industriel de \u00ab Dream within a dream \u00bb ou la pure exp\u00e9rimentation de \u00ab The man from another place \u00bb sont deux piliers de son second disque, <i>Different selves<\/i>. Il revient avec un EP r\u00e9alis\u00e9 en collaboration avec <b>Roly Porter.<\/b>\u00a0<\/span><\/p>\n<p><span style=\"font-size: 12pt; font-family: georgia, palatino, serif;\"><b>Bienoise<\/b>\u00a0: nous terminerons avec Alberto Ricca, auteur de <i>Meanwhile, tomorrow<\/i>, disque qui se situe entre la glitch house et la folktronica. Il est \u00e9galement le fondateur de Floating Forest Records.<\/span><\/p>\n<\/div>\n<div data-blogger-escaped-style=\"font-family: 'Times New Roman'; line-height: normal; margin-bottom: 5px; margin-top: 5px;\">\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\">Le label\u00a0: Gang of Dukcs. Le collectif de Turin (le noyau du mouvement) a publi\u00e9 <b>Vaghe Stelle<\/b>, <b>Haf Haf<\/b> et <b>Dave Saved<\/b>. Il est aussi c\u00e9l\u00e8bre pour ses concerts incendiaires sous le nom de <b>Gang of Ducks Soundsystem.<\/b><\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\">Le documentaire\u00a0: avec l\u2019aide de Noisy et avec <b>Powell <\/b>en invit\u00e9 sp\u00e9cial, nous voyons les protagonistes de cet article lors du Club to Club 2015. Vous pouvez le voir ici\u00a0: https:\/\/vimeo.com\/153893653<\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\">Le festival : le Club to Club, qui a lieu \u00e0 Turin (bien qu\u2019il y ait eu une \u00e9dition \u00e0 Milan et \u00e0 Istanbul) a toujours soutenu cette sc\u00e8ne \u00e9lectronique, et il est rare de ne pas voir ces artistes figurant \u00e0 leurs affiches, toujours int\u00e9ressantes.<\/span><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Parfois, ma m\u00e8re me parle de ces solistes italiens qu\u2019elle \u00e9coutait quand elle \u00e9tait jeune,&hellip;<\/p>\n","protected":false},"author":1,"featured_media":2099,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[440],"tags":[358,372],"class_list":["post-2098","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-infos","tag-musique-electronique","tag-musique-italienne"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Italian New Wave : spaghetti techno &#8212; 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