{"id":18319,"date":"2020-03-09T15:36:13","date_gmt":"2020-03-09T14:36:13","guid":{"rendered":"https:\/\/elgarajedefrank.es\/?p=18319"},"modified":"2020-03-09T22:13:08","modified_gmt":"2020-03-09T21:13:08","slug":"european-dark-fest-2020","status":"publish","type":"post","link":"https:\/\/elgarajedefrank.es\/fr\/european-dark-fest-2020\/","title":{"rendered":"European Dark Fest 2020"},"content":{"rendered":"

Alors qu\u2019on regardait dates europ\u00e9ennes pour pouvoir assist\u00e9 \u00e0 un concert de Little Nemo<\/b>, dont on avait malheureusement rat\u00e9 le concert l\u2019ann\u00e9e derni\u00e8re, on a vu que le groupe venait jouer \u00e0 Valence (et \u00e0 Barcelone), avec\u00a0The Invincible Spirit<\/b> et Sindicato Vertical, <\/b>pour le European Dark Fest, dans la salle WahWah. Le doute n\u2019\u00e9tait plus permis : c\u2019\u00e9tait l\u2019occasion parfaite d\u2019assister au concert de l\u2019un des groupes qu\u2019on avait le plus envie de voir. La veille, on s\u2019est donc rendus \u00e0 Alzira, o\u00f9 vit ma m\u00e8re, et on a lou\u00e9 une voiture pour faire l\u2019aller-retour jusqu\u2019\u00e0 Valence. Le 28 f\u00e9vrier, on r\u00e9ussit \u00e0 se garer \u00e0 c\u00f4t\u00e9 de la salle, puis on y p\u00e9n\u00e8tre, bien d\u00e9cid\u00e9s \u00e0 profiter au max des concerts, avec notre carnet et notre appareil photo en main.<\/span><\/p>\n

\"\"V\u00eatus de leurs tenues qui s\u2019apparentent \u00e0 un costume pour aller bosser,\u00a0Sindicato Vertical,\u00a0<\/b>groupe de post-punk d\u2019Alicante, qu\u2019on avait vu il y a quelques semaines \u00e0 Madrid, se pr\u00e9sente sur sc\u00e8ne. Apr\u00e8s une courte introduction, le groupe joue presque son premier disque homonyme au complet, \u00e9dit\u00e9 le 30 janvier. Ils commencent sur leur\u00a0\u00ab<\/span>\u2009<\/span>Sweet Riot<\/span>\u2009<\/span>\u00bb, nous montrent leur \u00e9nergie d\u00e9bordante avec \u00ab<\/span>\u2009<\/span>Post-Truth<\/span>\u2009<\/span>\u00bb. On hallucine sur la dext\u00e9rit\u00e9 \u00e0 la guitare de Manuel Moreno et Paco Poveda. Le groupe suit l\u2019ordre des chansons du disque, et arrive \u00e0 \u00ab<\/span>\u2009<\/span>Arrimadas State<\/span>\u2009<\/span>\u00bb, o\u00f9 Gerardo pousse des cris martiaux, \u00ab<\/span>\u2009<\/span>Cloned Games<\/span>\u2009<\/span>\u00bb, \u00ab<\/span>\u2009<\/span>Decay Fun<\/span>\u2009<\/span>\u00bb (premier single du groupe), \u00ab<\/span>\u2009<\/span>Surf Lines<\/span>\u2009<\/span>\u00bb avec son incroyable ligne de basse<\/span>, \u00ab<\/span>\u2009<\/span>Rage Against Love<\/span>\u2009<\/span>\u00bb et \u00ab<\/span>\u2009<\/span>Lose Your Soul<\/span>\u2009<\/span>\u00bb. Bien qu\u2019on aime leur album, qu\u2019on a d\u2019ailleurs achet\u00e9 lors de leur concert \u00e0 Madrid, il faut quand m\u00eame bien avouer que c’est en live que le groupe brille le plus. Difficile d\u2019exprimer sur un vinyle sa puissance, donc, n\u2019h\u00e9sitez pas \u00e0 aller les voir. Ils finissent ensuite sur quelques reprises : pour la premi\u00e8re, ils jouent \u00ab<\/span>\u2009<\/span>Ward 81<\/span>\u2009<\/span>\u00bb de nos ador\u00e9s The Fuzztones<\/b>, puis la classique \u00ab<\/span>\u2009<\/span>Nowhere Girl<\/span>\u2009<\/span>\u00bb de B-Movie<\/b>. Mais il fallait bien un mais\u00a0: malheureusement, on n\u2019a pas eu droit \u00e0 leur fantastique reprise de Morrissey<\/b>.<\/span><\/span><\/p>\n

\"\"Vient ensuite le tour de The Invincible Spirit<\/b>, l\u00e9gende allemande de l\u2019EBM, qui a d\u00fb se confronter \u00e0 un public \u00e0 fond. Le groupe, compos\u00e9 aujourd\u2019hui de Thomas L\u00fcdke et de son \u00e9pouse Anja Vorel, s\u2019est trouv\u00e9 face \u00e0 un public qui connaissait tous les morceaux par c\u0153ur et qui, en plus, avait grandi sur leur musique. Le couple commence sur la puissante \u00ab<\/span>\u2009<\/span>A Nation<\/span>\u2009<\/span>\u00bb, pr\u00e9sent\u00e9e comme une chanson d\u2019amour. De suite commencent \u00e0 s\u2019encha\u00eener les classiques, comme \u00ab<\/span>\u2009<\/span>Contact<\/span>\u2009<\/span>\u00bb (1988), le premier morceau qu\u2019il a sorti comme\u00a0Invisible Limits, <\/b>\u00ab<\/span>\u2009<\/span>Love is a Kind of Mystery<\/span>\u2009<\/span>\u00bb et le classique \u00ab<\/span>\u2009<\/span>Devil Dance<\/span>\u2009<\/span>\u00bb (1989), sur lequel les gens n\u2019ont pas cess\u00e9 de danser. L\u2019un des grands moments du concert a sans aucun doute eu lieu lors de leur reprise de \u00ab<\/span>\u2009<\/span>Atmosphere<\/span>\u2009<\/span>\u00bb, de Joy Division<\/strong>, pendant laquelle un membre du public monte sur sc\u00e8ne, sans que Thomas s\u2019en pr\u00e9occupe. On a eu droit \u00e0 un petit souvenir de son projet du d\u00e9but des ann\u00e9es 90, The Mao Tse Tung Experience,<\/b> duquel le duo joue \u00ab<\/span>\u2009<\/span>Irregular Times<\/span>\u2009<\/span>\u00bb, premier morceau de Revolver<\/i>, pendant que Thomas bataillait contre des c\u00e2bles qui pendaient du plafond. Il continue ensuite sur l\u2019un des ap\u00e9ritifs de son prochain disque, \u00ab<\/span>\u2009<\/span>Coming Home<\/span>\u2009<\/span>\u00bb avant de reprendre les classiques avec \u00ab<\/span>\u2009<\/span>Showdown<\/span>\u2009<\/span>\u00bb (1994), chant\u00e9e par tous. La derni\u00e8re ligne droite est compos\u00e9e de \u00ab<\/span>\u2009<\/span>Provoke You<\/span>\u2009<\/span>\u00bb, du classique Current News<\/i>, \u00ab<\/span>\u2009<\/span>I Hate You<\/span>\u2009<\/span>\u00bb, et du mythique \u00ab<\/span>\u2009<\/span>Push!<\/span>\u2009<\/span>\u00bb, o\u00f9 le public est devenu fou. C\u2019\u00e9tait la premi\u00e8re fois que j\u2019assistais \u00e0 un concert \u00e0 Valence, et j\u2019ai \u00e9t\u00e9 surpris de voir un public aussi engag\u00e9. Thomas diminue un peu l\u2019intensit\u00e9 avant de s\u2019en aller sur \u00ab<\/span>\u2009<\/span>Anyway<\/span>\u2009<\/span>\u00bb, et d\u2019aller prendre des photos avec des fans.<\/span><\/span><\/p>\n

\"\"C\u2019est \u00e0 minuit et demi que monte sur sc\u00e8ne Little Nemo, <\/b>l\u2019un des grands noms de la coldwave fran\u00e7aise. On pensait que le concert allait \u00eatre court, qu\u2019ils allaient jouer leurs morceaux les plus c\u00e9l\u00e8bres, et bien non ! On a \u00e9t\u00e9 plus qu\u2019agr\u00e9ablement surpris d\u2019avoir eu le droit \u00e0 un concert de pas moins d\u2019une heure et demie, compos\u00e9 d\u2019un set complet de 20 morceaux, qui a largement compens\u00e9 le fait de ne pas les avoir vus l\u2019ann\u00e9e derni\u00e8re, au W-Fest. Le groupe commence sur \u00ab<\/span>\u2009<\/span>Counter-Clock World<\/span>\u2009<\/span>\u00bb, et peu \u00e0 peu, le public s’\u00e9chauffe. J\u2019ai ador\u00e9 le travail du batteur, grand cr\u00e9ateur d\u2019atmosph\u00e8res. Les voix sont r\u00e9parties entre Nicolas Dufaure, qu\u2019on a eu la chance de saluer pendant les autres concerts, qui \u00e9tait \u00e0 la base le bassiste du groupe, puis est devenu guitariste, et Vincent Legallo, qui a parcouru le chemin inverse. Apr\u00e8s \u00ab<\/span>\u2009<\/span>New Flood<\/span>\u2009<\/span>\u00bb (1989), ils voyagent encore plus loin dans le temps pour jouer l\u2019irr\u00e9elle \u00ab<\/span>\u2009<\/span>Empty House<\/span>\u2009<\/span>\u00bb. C\u2019est la jolie m\u00e9lodie des claviers de \u00ab<\/span>\u2009<\/span>You Again<\/span>\u2009<\/span>\u00bb qui introduit le premier morceau de\u00a0Turquoise Fields<\/i>, dont le groupe c\u00e9l\u00e9brait le 30e anniversaire pendant cette tourn\u00e9e. Le groupe effectue ensuite quelques arr\u00eats dans\u00a0Past and Future<\/i>, comme la mythique \u00ab<\/span>\u2009<\/span>Seconds<\/span>\u2009<\/span>\u00bb, \u00ab<\/span>\u2009<\/span>La Ballade Des Pendus<\/span>\u2009<\/span>\u00bb, chant\u00e9e en fran\u00e7ais par le bassiste et \u00ab<\/span>\u2009<\/span>Alan\u2019s Waiting<\/span>\u2009<\/span>\u00bb. Entre ces deux morceaux, \u00ab<\/span>\u2009Julia<\/span>\u2009<\/span>\u00bb sert d\u2019hommage \u00e0 leur ami Thierry d\u2019Asylum Party,\u00a0<\/b>mort il y a peu de temps.<\/span><\/span><\/p>\n

De Sounds in The Attic<\/i>, le groupe joue \u00ab<\/span>\u2009<\/span>Sandcastle<\/span>\u2009<\/span>\u00bb. Le bassiste commence ensuite \u00e0 chanter la magnifique \u00ab<\/span>\u2009<\/span>L\u2019Heure d\u2019Hiver<\/span>\u2009<\/span>\u00bb, signant le retour au fabuleux\u00a0Turquoise Fields.<\/i> On\u00a0nous r\u00e9gale ensuite de \u00ab<\/span>\u2009<\/span>Cadavres Exquis<\/span>\u2009<\/span>\u00bb et \u00ab<\/span>\u2009<\/span>Running to the Sun<\/span>\u2009<\/span>\u00bb, l\u2019un de nos morceaux pr\u00e9f\u00e9r\u00e9s, que le groupe n\u2019a pas beaucoup jou\u00e9 par le pass\u00e9. Sur \u00ab<\/span>\u2009<\/span>\u00c0 une Passante<\/span>\u2009<\/span>\u00bb (1989), c\u2019est de nouveau au tour du bassiste de chanter, toujours accompagn\u00e9 des claviers enchanteurs. Le groupe encha\u00eene par la suite des classiques comme \u00ab<\/span>\u2009<\/span>Les Vall\u00e9es du Songe<\/span>\u2009<\/span>\u00bb, sorti sur la premi\u00e8re cassette du groupe, qui est paradoxalement suivi du morceau le plus r\u00e9cent de la setlist, \u00ab<\/span>\u2009<\/span>Last Sunset<\/span>\u2009<\/span>\u00bb (Out of the Blue<\/i>).<\/span><\/span><\/p>\n

Le groupe termine ensuite sur deux morceaux parus sur la version longue de Turquoise Fields:<\/i> \u00ab<\/span>\u2009<\/span>City Lights<\/span>\u2009<\/span>\u00bb et son \u00e9nergie presque punk et \u00ab<\/span>\u2009<\/span>Love is a Lie<\/span>\u2009<\/span>\u00bb, dont le refrain me rappelle \u00ab<\/span>\u2009<\/span>Love is To Die<\/span>\u2009<\/span>\u00bb de Warpaint. <\/b>S\u2019il y a un morceau parfait pour faire ses adieux, c\u2019est bien \u00ab<\/span>\u2009<\/span>Be Seeing You<\/span>\u2009<\/span>\u00bb. On esp\u00e8re les revoir tr\u00e8s bient\u00f4t, et par la m\u00eame occasion, on vous rappelle qu\u2019en 2022, ce sera le 30e anniversaire de The World is Flat, <\/i>duquel ils n\u2019ont jou\u00e9 aucun morceau. Une nuit magnifique avait touch\u00e9 \u00e0 sa fin et c\u2019\u00e9tait l\u2019heure de rentrer.\u00a0<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Alors qu\u2019on regardait dates europ\u00e9ennes pour pouvoir assist\u00e9 \u00e0 un concert de Little Nemo, dont…<\/p>\n","protected":false},"author":2,"featured_media":18192,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[39],"tags":[306,392],"class_list":["post-18319","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chroniques","tag-coldwave-fr","tag-post-punk-fr"],"yoast_head":"\nEuropean Dark Fest 2020 — El Garaje de Frank<\/title>\n<meta name=\"description\" content=\"— Chronique du European Dark Festival (Valence, 2020) : Sindicato Vertical, Invincible Spirit et Little Nemo.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/elgarajedefrank.es\/fr\/european-dark-fest-2020\/\" \/>\n<meta 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