{"id":7076,"date":"2019-08-30T14:42:09","date_gmt":"2019-08-30T12:42:09","guid":{"rendered":"https:\/\/elgarajedefrank.es\/?p=7076"},"modified":"2019-08-30T15:03:08","modified_gmt":"2019-08-30T13:03:08","slug":"w-fest-2019-saturday","status":"publish","type":"post","link":"https:\/\/elgarajedefrank.es\/en\/w-fest-2019-saturday\/","title":{"rendered":"W-Fest 2019: Saturday"},"content":{"rendered":"

In 2029, Skynet has almost succeeded in removing music from Earth, but a group of rebels, called the W-Resistance is fighting back. This group of Goths and 80s lovers, has been inspired by the W-Fest celebrated in 2019. Skynet has sent me, a T-8o to that special moment to stop the seed of this rebellion. I arrived at what seemed like the changing room of a gym. Some people were having a shower behind some curtains in the next room. I took a pair of trousers and a T-shirt and went to the festival grounds. First part of the mission: close observation and reports of all the artists.<\/span><\/p>\n

SONO<\/strong><\/span><\/p>\n

\"\"<\/span><\/p>\n

The first band of the day was Sono<\/strong>, a trio with a singer\/guitarist and two guys at the synths. It was the birthday of the singer, a famous celebration between Humans. They played a few songs: \u201cAmplify,\u201d \u201cSupersonic\u201d (a track that made people move in a way called dance), and \u201cLet Go.\u201d After these songs, the singer tried humor, saying that he was surprised because people were playing Tetris when he was singing. According to the reaction of the public, he was successful. The band continued with \u201cFlames get Higher,\u201d \u201cAll Those City Lights,\u201d a song against immigrants getting drown (an issue that worried people in the 21st century) called \u201cSomewhere beyond the sea,\u201d \u201cTop of the World\u201d and the most famous of their tunes: \u201cKeep Control.\u201d My analysis based on the performance of the band and the reaction of the public was quite positive.<\/span><\/p>\n

SCHMUTZ<\/strong><\/span><\/p>\n

\"\"<\/span><\/p>\n

Next was the turn of a Belgian band called Schmutz<\/strong> (German word for dirt, Humans never managed to master binary code, so they needed different languages). The sound of their first songs could be filed under New Wave: \u201cTurn The Pages\u201d or \u201cLife Is A Merry-Go-Round” were played with a lot of energy (although Humans don\u2019t have extra batteries). A considerable number of persons had gathered to see this band, that soon displayed their most pop side with tracks like \u201cAgainst the Wall,\u201d the famous \u201cLove Games,\u201d \u201cOn the Edge\u201d or \u201cHolding On.\u201d They finished their set with \u201cStraight From The Heart.\u201d Our database was missing some information about Belgian groups that this unit managed to compile during the festival. Final analysis: good concert.<\/span><\/p>\n

PORTION CONTROL<\/strong><\/span><\/p>\n

\"\"<\/span><\/p>\n

Do androids dream of EBM? The high-voltage music that Portion Control<\/strong> started playing was completely forbidden in 2029 and this was the first time this unit could register it. It sounded like the perfect music to listen to when no task was active. This unit tried to process all the data of this incredible style of music: Dean Piavani<\/strong> sang and shouted restlessly while John Whybrew<\/strong> delivered industrial soundscapes. My electronic body started malfunctioning due to the insistent rhythms of some of the songs they played: \u201cIcon,\u201d \u201cLast of the Breed,\u201d \u201cHardman,\u201d \u201cHey Hey,\u201d \u201cDeadstar\u201d and the final \u201cAmnesia.\u201d Data: the sound of the future was in the past.<\/span><\/p>\n

SIGUE SIGUE SPUTNIK ELECTRONIC<\/strong><\/span><\/p>\n

\"\"<\/span><\/p>\n

This unit had to scan the band to be completely sure that they were Humans. They started with \u201cRocking Miss USA,\u201d and continued with \u201cHey Jayne Mansfield Superstar!\u201d where this T-80 had to check again that the guitar player was Human, because the way he was playing his guitar wasn\u2019t. I compared previous reports of the performance of the band, and this time they exceeded all data registered. The concert went on with the songs \u201cTeenage Thunder,\u201d \u201cBoom Boom Satellite,\u201d \u201cSuccess,\u201d \u201cAtari Baby\u201d (with a bass that reminded me of another band that it\u2019s included in my database: New Order<\/strong>), and the hits \u201c21st Century Boy\u201d and \u201cLove Missile F1-11.\u201d 40 minutes of concert were not enough for band this good. This unit will need extra data in the future.<\/span><\/p>\n

TYSKE LUDDER<\/strong><\/span><\/p>\n

\"\"<\/span><\/p>\n

My database said that I was listening again to pure EBM.\u00a0The band Tyske Ludder<\/strong>, with singer Claus Albers, <\/strong>Olaf A. Reimers<\/strong> at the programming and two drummers\u00a0got an incredible response from the public (mainly Humans, but some specimens escaped from categorization) from the very beginning. The Spanish guitar in \u201cBambule\u201d was the only moment of calm during the concert. They dedicated a song to Rutger Hauer an actor famous for portraying an android. Was it a token of friendship towards this unit? They also did a homage to a Belgian band with their cover of TC Matic\u2019<\/strong>s \u201cOh La La La.\u201d They set also included \u201cNaziss,\u201d \u201cMeskalin\u201d (where the singer wore a Putin mask altought the public always knew who he truly was) and the final hit \u201cPanzer\u201d where one of the drummers took his snare drum to the front of the stage. These individuals need further study from this unit: a 111-unit box set seems the right place to start. Checking Amazon… checking eBay… checking Discogs…<\/span><\/p>\n

PSYCHE<\/strong><\/span><\/p>\n

\"\"<\/strong><\/span><\/p>\n

One of the reasons I had been sent to the W-Fest was Psyche<\/strong>. His music was one of the possible inspirations for the rebellion. Together with a keyboard player, Darrin Huss<\/strong> appeared, wearing a T-shirt of Dario Argento\u2019s Opera. He started with \u201cThe Quickening,\u201d and played a selection of songs from his albums, including \u201cUncivilized,\u201d \u201cYouth of Tomorrow\u201d (a very good track from the Maxi from 2017), \u201cTruth or Consequence,\u201d \u201cAngels lies sleeping\u201d and \u201cMisery.\u201d I had to recalibrate my parameters and put this concert as top level in the performance category. Darrin changed outfit for no visible reason before playing \u201cThe Brain Collapses\u201d and continued with the cover of Q<\/strong>. Lazzarus\u2019<\/strong> \u201cGoodbye Horses\u201d and \u201cUnveiling the Secret.\u201d Redefining quality parameters…<\/span><\/p>\n

LITTLE NEMO<\/strong><\/span><\/p>\n

\"\"

Photo: Diana Mueller<\/span><\/p><\/div>\n

Another objective of my mission was the study of the French coldwave band Little Nemo<\/strong>. But due to some malfunctions, my internal chronometer did not work and I missed the band. This unit only managed to get some pictures and CDs. To see the band live has been classified as priority number one.<\/span><\/p>\n

ESCAPE WITH ROMEO<\/strong><\/span><\/p>\n

\"\"<\/span><\/p>\n

One of the final concerts of the dark wave band Escape with Romeo<\/strong> took place in the W-Fest (although if Skynet plans got ahead, it will be the final gig for everybody). The band started with \u201cHelicopters in The Falling rain\u201d and continued with \u201cAnteroomm for your love,\u201d \u201cHere comes the Night,\u201d \u201cSomeone, Somewhere, Someday,\u201d \u201cIf Seeing is believing,\u201d \u201cSomebody\u201d (where they reached total accomplishment), \u201cIt\u2019s loneliness\u201d and \u201cTears of Kali\u201d (with some quality synths lines). This unit never understood the meaning of elegance, but it must be something pretty close to this.<\/span><\/p>\n

RATIONAL YOUTH<\/strong><\/span><\/p>\n

\"\"<\/span><\/p>\n

Another of the main targets of the mission was going to appear on stage: Rational Youth<\/strong>. The couple (Tracy Howe<\/strong> plays with his wife called Gaenor<\/strong>) started with \u201cClose to Nature,\u201d \u201cThis side of the border\u201d (a track from their last EP, Future Past Tense<\/em> from 2016), \u201cMoney and Blood,\u201d \u201cWestern Man\u201d in an electric performance. The electronic sound of the band, with an eighties feel but at the same time with a modern hint, was creating short-circuits in my hips. The last part of the concert consisted in \u201cDancing on the Berlin Wall\u201d (with a snippet of \u201cSong of Joy\u201d) \u201cHere it comes again,\u201d \u201cHoliday in Bangkok,\u201d \u201cCity of the Night,\u201d and \u201cSaturdays in Silesia.\u201d This band worships Goddess Electricity, but Humans should worship them.<\/span><\/p>\n

MESH<\/strong><\/span><\/p>\n

\"\"<\/span><\/p>\n

The following band on stage was Mesh<\/strong>. If I had not studied the primitive ways of alimentation of Humans, I would have thought that the band was a power supply charging the batteries of the numerous public. Mesh<\/strong> delivered pure energy in the form of\u00a0\u201cMy Protector,\u201d \u201cJust Leave us alone,\u201d \u201cRunway\u201d and \u201cLeave You Nothing.\u201d The band managed to keep my transistors wide open during all the concerts with tracks like the powerful \u201cFrom this Height,\u201d \u201cI fall over,\u201d \u201cThe Fixer,\u201d \u201cBorn to Lie\u201dand \u201cTaken for Granted.\u201d Charge completed.<\/span><\/p>\n

THEN COMES SILENCE<\/strong><\/span><\/p>\n

\"\"<\/span><\/p>\n

Some technical deficiencies impeded this unit from being in two concerts at the same time. Not having to go to toilets and being fully charged, this unit used the gap of ten minutes between the concerts to see one of the songs of the band. The outside stage was full of people and the band gave a very intense and powerful performance for Humans standars. I have added to my agenda, a time travel at the end of September to Madrid to see the full concert. For the sake of the report, that\u2019s clear.<\/span><\/p>\n

LENE LOVICH<\/strong><\/span><\/p>\n

\"\"<\/span><\/p>\n

My microphones verified that Lene Lovich<\/strong> was still able of reaching high pitches. Her concert focused on some of her classics like: \u201cBird song,\u201d \u201cOne in a 1.000.000,\u201d \u201cI Think We Are Alone Now,\u201d \u201cTelepathy,\u201d \u201cLucky Number\u201d and \u201cHome.\u201d The guitar player wore a Napalm Death<\/strong> T-shirt that reminded me of some of Skynet\u2019s first attacks to Humanity. Although Lene Lovich<\/strong> started her career more than 40 years before the festival, her show still was comparable to nothing on my database.<\/span><\/p>\n

BLUTENGEL<\/strong><\/span><\/p>\n

\"\"<\/strong><\/span><\/p>\n

Making references to their name, Blutengel <\/strong>(German for Blood Angel) presented a very visual show where singers Chris Pohl<\/strong> and Ulrike Goldman<\/strong>, managed to bring to life the lyrics and the atmosphere of their music. The band played \u201cInto the Void,\u201d \u201cTeufelswerk,\u201d \u201cDein Gott,\u201d \u201cBloody Pleasure,\u201d \u201cEngelsblutt,\u201d \u201cAlles\u201d and a final \u201cYou Walked Again.\u201d Vampires were part of Humans\u2019 superstitions but with the music of Blutengel<\/strong> I can understand why people believed in them.<\/span><\/p>\n

KILLING JOKE<\/strong><\/span><\/p>\n

\"\"

Photo: Patrice Hoerner<\/span><\/p><\/div>\n

Ten minutes late, Jaz Coleman<\/strong> appeared like a ghost (Humans believed in an afterlife), in front of the biggest crowd of the festival. Closed to him was an original member and bass player Youth (this second stage in life was very important for Humans). The sound of all the concert was powerful, getting close to perfection (if that thing exists between Humans). The band started with \u201cTomorrow\u2019s World,\u201d \u201cWardance,\u201d \u201cEighties\u201d (the only moment a bit commercial, compared to the extreme music that they offered to us). Classics of the band as \u201cSeeing Red,\u201d \u201cTotal Invasion,\u201d \u201cExorcism,\u201d \u201cPssyche\u201d or \u201cPandemonium\u201d were played in the most incredible concert that this unit has ever registered. The public was in a state of euphoria that even this unit was starting to feel.<\/span><\/p>\n

THE HUMAN LEAGUE<\/strong><\/span><\/p>\n

\"\"<\/span><\/p>\n

A band with this name would be forbidden in the future without any kind of doubt. Being headliners and with such a name, The Human League <\/strong>was my primary target. They started with \u201cThe Sound of Crowd\u201d (and a good crowd of Humans were attending the concert),\u201d Mirron Man\u201d and \u201cHeart Like a Wheel\u201d (my data tells me that hearts are actually shaped in a different way, this must be a Human mistake), \u201cLove Action,\u201d \u201cSeconds\u201d and \u201cThe Lebanon.\u201d The choristers sang \u201cOne Hand In My Heart\u201d(really played well), and the concert continued with \u201cHuman\u201d (clear apology of Humanism), \u201cTell Me Why,\u201d \u201c(Keep Feeling) Fascination.\u201d Philip Oakey<\/strong> en the choristers changed clothes and played \u201cDon\u2019t You Want Me\u201d (with a long instrumental introduction), in a moment in which I really wanted to be Human. The band left the stage but after a few minutes returned (possibilities they lost something: 50%)<\/span> to play \u201cBeing Boiled\u201d (with an almost industrial beginning) and \u201cTogether in Electric Dreams.\u201d For a moment, Humans and this unit dreamed in Electric Dreams.<\/span><\/p>\n

NITZER EBB<\/strong><\/span><\/p>\n

\"\"

Photo: Patrice Hoerner<\/span><\/p><\/div>\n

Something in the previous EBM concerts has created problems in my central unit. And now one of the most popular bands of the genre were going to play. The band started with a slower rhythm and mixing all the tracks together, beginning with \u201cBlood Money,\u201d \u201cFor Fun\u201d and \u201cCaptivate.\u201d The music got faster as the tracks continued. During \u201cJoin in the Chant\u201d my database marked again Pure EBM and my electronic body almost got a short-circuit. They continued with their powerful show with classics like \u201cDown On Your Knees,\u201d \u201cLet your Body Learn\u201d and the final \u201cMurderous.\u201d<\/span><\/p>\n

My second part of the mission started: assignment of primary targets and repression. But after this 13 hours, my data said that Skynet was wrong, that Music was something positive and that W-Fest must thrive. Mission abolished.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

In 2029, Skynet has almost succeeded in removing music from Earth, but a group of…<\/p>\n","protected":false},"author":1,"featured_media":7188,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[133],"tags":[],"class_list":["post-7076","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles"],"yoast_head":"\nW-Fest 2019: Saturday — El Garaje de Frank<\/title>\n<meta name=\"description\" content=\"Chronicles — Chronicle of W-Fest 2019: Nitzer Ebb, Killing Joke, The Human League, Tyske Ludder, Portion Control...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/elgarajedefrank.es\/en\/w-fest-2019-saturday\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" 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