{"id":6680,"date":"2019-08-21T16:03:19","date_gmt":"2019-08-21T14:03:19","guid":{"rendered":"https:\/\/elgarajedefrank.es\/?p=6680"},"modified":"2019-11-13T23:09:38","modified_gmt":"2019-11-13T22:09:38","slug":"w-fest-thursday","status":"publish","type":"post","link":"https:\/\/elgarajedefrank.es\/en\/w-fest-thursday\/","title":{"rendered":"W-Fest 2019: Thursday"},"content":{"rendered":"

If I had to relieve the same 24 hours forever, like in the movie Groundhog Day, I wouldn\u2019t mind doing it in a day like the first day of the W-Fest. OK, some things were not ideal, like sleeping in the camp: when I woke up, I urgently needed to pee (maybe I am getting old, maybe I just drank too much the night before) and there was no portable restroom on sight. In a moment of inspiration, I thought that toilets and showers had to be in the close building. There, attached to a basketball court where some boys were playing, I found the showers, just the ones of what it seemed like the dressing room of the previously seen court. Stark naked, I had a shower, with no curtains and, luckily, nobody seeing my old willy. Honestly, I could skip this part from my eternal routine.<\/span><\/p>\n

The five minutes walk to the festival was OK. The venue (and the city) was different from last year, and now it was placed on the grounds of the Waregem Expo. This year, both stages were side by side on the same hall, there was also an outdoor stage behind the main one(s), a DJ booth on the top of the entrance, another covered stage with a DJ, also outside, and several bars and places to sit, everything exterior. And now, if you want to feel like the main character in Groundhog Day, just read this chronicle over and over.<\/span><\/p>\n

EMPATHY TEST<\/b><\/span><\/p>\n

\"\"<\/span><\/p>\n

I have been listening to Empathy Test<\/b> for a few months now and I really like the band. So, it was great to commence the proper festival with them. The drummer marked the beginning of the concert and \u201cHoly Rivers\u201d was the first song they played. Great, it\u2019s one of their best tracks. After this, it was the turn of one of their singles: \u201cBare My Soul,\u201d which was followed by \u201cVampire Town\u201d, \u201cEmpty-Handed\u201d, \u201cSeeing Stars\u201d, \u201cDemons\u201d… I go to a lot of festivals and hardly ever see such a good band opening the day. But here it happened, and not only on the first day! \u201cLosing Touch,\u201d their best song, was <\/span>the first great moment of the festival<\/span> and \u201cHere is the place\u201d, was, sadly, the last one they played.<\/span><\/span><\/p>\n

DER KLINKE<\/b><\/span><\/p>\n

\"\"<\/b><\/span><\/p>\n

Der Klinke<\/b> was the perfect band to start and set the mood for the Wave Cave stage. They summon all you can expect of that stage: darkness, intensity, synths, edgy guitars and a lot of passion.\u00a0 The concert seemed to me a bit short, as they have enough material for a longer set. We could hear some of their best tunes: \u201cSomeone Who Smiles,\u201d \u201cThe River White\u201d, \u201cThe Facts of Life\u201d, \u201cCurtains\u201d (single of their last album Decade<\/i> and with an incredible work of the bass player), \u201cBridges\u201d and the final \u201cThe Doll\u201d. They have been playing for ten years now, and I think they really deserve some recognition.<\/span><\/p>\n

SIGNAL AOUT 42<\/b><\/span><\/p>\n

\"\"<\/span><\/p>\n

It was quite early but we were already going to see, what was for us, one of the most expected concerts of the festival: Signal Aout 42<\/b>, creators of some of EBM classic tracks. Jacky Meurisse, together with <\/span>\u00c9lise<\/span>, one of his daughters and Olivier Thibaut (also in Vuduvox<\/b>), started with \u201cSubmarine Dance\u201d, and honestly, there\u2019s no better way of kicking off a concert. Together with the classics, we could listen to some songs from SA42<\/b>\u2019s new album such as \u201cWelcome to Reality\u201d and \u201cCan you hear my rage?” always with some nice visuals. From SA42<\/b>\u2019s previous record, we could hear the peculiar homage to Der Gregolini and EBMnator called \u201cFreundschaft\u201d. And another of the best moments of the festival came with the eternal \u201cDead is calling\u201d: just after hearing the opening chorus, the crowd went crazy. Sadly, all good things come to an end, and the band said goodbye with another classic: \u201cPleasure and Crime\u201d from 1986, which was played along with a video of famous murderers like Gary Gilmore. Definitely, in the top ten of the edition. And the best thing is: we are going to see them again very soon!!!!<\/span><\/span><\/p>\n

IN STRICT CONFIDENCE<\/b><\/span><\/p>\n

\"\"<\/span><\/p>\n

\u201cDespair,\u201d with a deafening volume, opened the set of the German band In Strict Confidence<\/b>. The EBM rhythms of \u201cKiss your Shadow\u201d followed, working as the perfect continuation of the previous concert. The band showed an incredible amount of energy that was transferred to the public. The sensual \u201cForbidden Fruit\u201d was the necessary pause before the powerful \u201cSeven Lives\u201d sounded: it was the best moment of the concert. And the band continued with \u201cMorpheus\u201d, more EBM with \u201cEngelsstaub\u201d and\u00a0\u201cZauberschloss\u201d where the guitar player played around with her luminous cape, adding color to the music. By the end of the concert, I was really surprised: we had four great concerts in a row!<\/span><\/p>\n

TRISTESSE CONTEMPORAINE<\/b><\/span><\/p>\n

\"\"<\/strong><\/span><\/p>\n

Tristesse contemporaine<\/b> are, without a doubt, a band difficult to classify, a strange mixture between post punk and Tricky<\/b>. Like an after-punk band that has grown up listening only to \u201cAngels with Dirty Face\u201d. They started with \u201cI Do what I want\u201d and for the second song, the singer introduced the drummer as the second-best drummer of the band, before playing \u201cKnow my name\u201d. \u201cLet\u2019s Go,\u201d reminded me of the Jesus and Mary Chains<\/b> because of the vocals, but the following track \u201cDem Roc\u201d was way more danceable. It seemed like the band wanted to play a different genre in every song. \u201cCeremony,\u201d instead, was darker and \u201cNo hope\u201d reminded me of Psychic TV <\/b>when they are doing pop. They continued with \u201cI Didn\u2019t know\u201d, to end up rapping with \u201cDaytime Nighttime\u201d. Maybe in another moment or another place I could have enjoyed the concert, but I was in a darker mood to appreciate them.<\/span><\/p>\n

SOLAR FAKE<\/b><\/span><\/p>\n

\"\"<\/span><\/p>\n

I shouldn\u2019t like Solar Fake<\/b>, but I do. I found their style too commercial for my taste, but I have to recognize that they have really good songs. \u201cSick of you,\u201d the first one they played, it\u2019s proof of what I say: a very fine tune, with a killer chorus but the vocals in the rest of the song sounds really commercial. People danced, of course. \u201cUnder control\u201d was the second song, where the keyboard (and us) had a lot of fun. The set continued with \u201cAll the things you say\u201d, \u201cI don\u2019t want you here\u201d (that sounded really epic) and my favorite \u201cNot What I Wanted\u201d (where the singer could not stop laughing with the strange moves the keyboard player had). And they fucking know how to finish a concert: \u201cThe Pain That Kills You Too\u201d is one of their best songs. Really good, I must admit.<\/span><\/p>\n

THE BLOW MONKEYS<\/b><\/span><\/p>\n

\"\"<\/span><\/p>\n

The first 80s pop band of the day appeared on stage: The Blow Monkeys<\/b>. They started with \u201cChoice?” and introduced \u201cCelebrate\u201d as Cojones to Brexit. The band played \u201cCrying for the Moon\u201d, and gave us some elegant pop like in \u201cWait\u201d or \u201cThe Coming of Grace\u201d. When the singer was talking, it was possible to hear the sound check of the following concert. They also played their cover of \u201cYou Don\u2019t Own Me\u201d, \u201cThe Wild River\u201d and finished with their hit, \u201cIt Doesn\u2019t Have to Be this way\u201d. It was OK.<\/span><\/p>\n

Outside Dageist<\/b> were playing at the entrance. They played a set every day there, but I only saw them on the first day on my way to the toilet. I will try to see them again them in the future.<\/span><\/p>\n

THE CASSANDRA COMPLEX<\/b><\/span><\/p>\n

\"\"<\/span><\/p>\n

Another of my main reasons for going to the festival: The Cassandra Complex<\/b>. Axel Ermes started with the \u201cTheme from The Invisibles\u201d and soon came all the band to play \u201cNightfall (Over EC)\u201d. They created a great atmosphere and continued with \u201cToo Stupid to sin\u201d, \u201cValis\u201d (introduced by Rodney Orpheus as a song based on Philip K. Dick), the classic \u201cSecond Shot\u201d (that was recorded in Belgium) and was another of the moments of the festival. \u201cWhat can I do for you\u201d (a song about a girlfriend leaving you), \u201cWar Against Sleep\u201d (oh yeah, we felt it coming!), the powerful \u201cDatakill\u201d, \u201cMoscow Idaho\u201d (with a fake start) and \u201cOne Millionth Happy Customer\u201d. One million happy fans enjoyed the concert. Another top ten of the festival.<\/span><\/p>\n

TIME BANDITS<\/b><\/span><\/p>\n

\"\"<\/span><\/p>\n

And now for something completely different, like the Monty Python used to say: Pop with some funk. They started with \u201cLive it up\u201d where the bass player proved how good he was. They sent us lots of funk energy altought most of the people from the previous concert left. The band continued with \u201cWildfire\u201d where they played some salsa, \u201cHollywood Seven\u201d where the singer proved how good he was, the beautiful \u201cListen to the man with the golden voice\u201d, \u201cDangerous\u201d, and a good version of \u201cPurple Rain\u201d. We missed the ending because we wanted to say hello to the man behind SA42.<\/b><\/span><\/p>\n

MERCIFUL NUNS<\/b><\/span><\/p>\n

\"\"<\/span><\/p>\n

With fewer people than we expected, Merciful Nuns<\/b> appeared to give one of their last shows. They started with \u201cNeo Alpha Genesis\u201d. It was a really intense concert where we could hear \u201cBody of Light\u201d, \u201cKarma Inn\u201d, \u201cExosphere\u201d, \u201cBlackbody\/Utraviolet\u201d, the slow \u201cThe Passing Bell\u201d, or heavy \u201cThelema\u201d. A good concert that sadly we won\u2019t be able to repeat.<\/span><\/p>\n

ECHO AND THE BUNNYMEN<\/b><\/span><\/p>\n

Due to the change in the running order, I could only see the first songs of the band of Ian McCulloch<\/b>: \u201cRescue\u201d, \u201cBedbugs and Ballyhoo\u201d and \u201cSeven Seas\u201d (one of my favorite in concert). I have seen them a few times and chose to see the Primitives<\/b>, a band that I don\u2019t know if I will have the chance to see again. Echo and the Bunnymen<\/b> congregated the biggest crowd of the day, and a few songs that I heard sounded really good.<\/span><\/p>\n

THE PRIMITIVES<\/b><\/span><\/p>\n

\"\"<\/strong><\/span><\/p>\n

They were not with the best humor of the day, because they had some problems at the airport with the passports and had to change the slot with The Blow Monkeys<\/b> and play at the same time as one of the headliners. They started with \u201cThru the Flowers\u201d, the drummer and guitar player of Twisted Nerve were in the public, although they are metalheads. Continued with Spin-o-Rama, they sounded still fresh in songs like the really good \u201cStop Killing Me\u201d, \u201cSick of it\u201d, \u201cReally Stupid\u201d or \u201cRattle My Cage\u201d. The playing was getting better and better and \u201cYou are the way\u201d and \u201cWay behind me\u201d sounded really good. Finally, ti was time for the famous \u201cCrash\u201d and a final version of \u201cPanic\u201d(the Reparata and the Delrons\u2019 <\/b>song).<\/span><\/p>\n

THE STRANGLERS<\/b><\/span><\/p>\n

\"\"<\/span><\/p>\n

A bit late started Stranglers<\/b> with their signature \u201cWaltzinblack\u201d. The starter was \u201cToilor on the sea\u201d and the band and the sound were just perfect. All the classics were played: \u201cI\u2019ve been Wild,\u201d \u201c(Get a) Grip (on yourself)\u201d, a really good \u201cPeaches\u201d, \u201cNice N Sleazy\u201d…. I saw the men in black (I am not talking about the movie) some ten years ago and I did not remember a concert like this. They continued with their eighties classics \u201cGolden Brown\u201d, the also famous \u201cAlways the Sun\u201d, their cover of \u201cWalk on by\u201d and \u201cSomething better change\u201d that was sung by Jean Jacques Burnell. Although their set was the longest of the festival, it was coming to an end,\u00a0that was \u201c5 minutes\u201d, and the classic \u201cNo more heroes\u201d. Another great concert.<\/span><\/p>\n

SHE WANTS REVENGE<\/b><\/span><\/p>\n

\"\"<\/span><\/p>\n

A few days after the concert, I am still humming the songs of She Wants Revenge.<\/b> To be honest, I did not dig their music before, there was something missing for me but, after their concert, it\u2019s one of the bands I have been listening to the most. The beginning of the concert was a bit cold with the long \u201c[Killing Time]\u201d, but soon we got into the music with the brilliant \u201cThese Things\u201d. It\u2019s hypnotic to see Justin Warfield telling you love stories, always with a lot of passion and such detail like in \u201cReasons\u201d and \u201cLittle Stars\u201d. The band also played \u201cThis is the End\u201d, \u201cWritten in Blood\u201d, \u201cUp in Flames\u201d. They said that it was seven years since the last time that they had toured in Europe and that this was the first concert of the tour. They finished with \u201cOut of Control\u201d and \u201cTear you apart\u201d. A perfect ending to a long day of good concerts.<\/span><\/p>\n

And I went back to the camp, thinking, \u201cTomorrow won\u2019t be another day.\u201d<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

If I had to relieve the same 24 hours forever, like in the movie Groundhog…<\/p>\n","protected":false},"author":1,"featured_media":7089,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[133],"tags":[311,305,313,319,391,419],"class_list":["post-6680","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","tag-chronicle","tag-coldwave-en","tag-darkwave-en","tag-ebm-2-en","tag-post-punk-en","tag-w-fest-en"],"yoast_head":"\nW-Fest 2019: Thursday — El Garaje de Frank<\/title>\n<meta name=\"description\" content=\"Chronicles — Chronicle of the first day of W-Fest, with The Stranglers, Signal Aout 42, The Cassandra Complex, Empathy Test....\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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