{"id":521249,"date":"2025-12-01T21:37:52","date_gmt":"2025-12-01T20:37:52","guid":{"rendered":"https:\/\/elgarajedefrank.es\/?p=521249"},"modified":"2025-12-01T21:37:52","modified_gmt":"2025-12-01T20:37:52","slug":"interview-ortrotasce","status":"publish","type":"post","link":"https:\/\/elgarajedefrank.es\/en\/interview-ortrotasce\/","title":{"rendered":"Interview: Ortrotasce"},"content":{"rendered":"<p><strong><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\">Nic Hamersly, with his project Ortrotasce, has been demonstrating for over fifteen years a special sensitivity for composing danceable yet emotional tracks. His music sounds modern while also evoking past decades. Thus, it is no surprise that a label well-acquainted with the past, such as Dark Entries, released his latest album, <em>Dispatches From Solitude<\/em>, which contains eight gems to dance with tears in your eyes. He is one of the artists we don&#8217;t want to miss at the Ombra festival, taking place this weekend in Barcelona.<\/span><\/strong><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><strong><img fetchpriority=\"high\" decoding=\"async\" class=\"alignleft wp-image-520943\" src=\"https:\/\/elgarajedefrank.es\/wp-content\/uploads\/2025\/12\/Ortro-Gazer-226x300.jpg\" alt=\"\" width=\"470\" height=\"623\" srcset=\"https:\/\/elgarajedefrank.es\/wp-content\/uploads\/2025\/12\/Ortro-Gazer-226x300.jpg 226w, https:\/\/elgarajedefrank.es\/wp-content\/uploads\/2025\/12\/Ortro-Gazer-773x1024.jpg 773w, https:\/\/elgarajedefrank.es\/wp-content\/uploads\/2025\/12\/Ortro-Gazer-768x1018.jpg 768w, https:\/\/elgarajedefrank.es\/wp-content\/uploads\/2025\/12\/Ortro-Gazer-1159x1536.jpg 1159w, https:\/\/elgarajedefrank.es\/wp-content\/uploads\/2025\/12\/Ortro-Gazer-1545x2048.jpg 1545w, https:\/\/elgarajedefrank.es\/wp-content\/uploads\/2025\/12\/Ortro-Gazer-1920x2545.jpg 1920w, https:\/\/elgarajedefrank.es\/wp-content\/uploads\/2025\/12\/Ortro-Gazer-1170x1551.jpg 1170w, https:\/\/elgarajedefrank.es\/wp-content\/uploads\/2025\/12\/Ortro-Gazer-585x775.jpg 585w, https:\/\/elgarajedefrank.es\/wp-content\/uploads\/2025\/12\/Ortro-Gazer-scaled.jpg 1932w\" sizes=\"(max-width: 470px) 100vw, 470px\" \/>\u2014What made you start Ortrotasce in 2009? You were already playing in other bands like Resi Noth, right?<\/strong><\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\">\u2014That\u2019s correct. During that period of my life, I found myself increasingly drawn to early electronic music, despite having grown up playing drums in various punk bands. When I moved to Portland, Oregon in 2008, I didn\u2019t yet know many musicians in the area, so I decided to start my own project. I experimented with a few different names before ultimately arriving at <strong>Ortrotasce<\/strong>.<\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><strong>\u2014You said that you were inspired by the label Three One, and from there you started listening to electronic music. Can you please tell us more about this as, honestly, I never listened to any Three One G record.<\/strong><\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\">\u2014This was actually back in high school. It was a label based in San Diego, California, known for its catalog of noise rock, powerviolence, experimental, no-wave releases. Bands such as <strong>The Locust<\/strong>, <strong>Arab on Radar<\/strong>, and <strong>Holy Molar<\/strong> quickly became some of my favorites. Many of these artists incorporated a strong synth presence in their recordings, which played a significant role in shaping an interest in underground electronic music.<\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><strong>\u2014With the AKA Warmline you released an album, entitles <em>Sad<\/em>, in 2011. The music is more post-punk. What can you please tell us of this project?<\/strong><\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\">\u2014This was another solo project I developed while living in Portland. I wanted to create something more guitar\/bass\/driven, and I\u2019ve always had a naturally restless creative energy. I get bored easily, and making music is everything to me, so exploring every corner of what I love musically seems natural.<\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\">I wrote all of those songs in a small room beneath the stairs of the house where I lived, paying $150 a month for the space. It was just myself, a sleeping bag, an acoustic guitar, a bass, and a laptop. It was an undeniably low period in my life, and that shaped both the mood and the inspiration behind the project. The production is horrid, and I\u2019m not particularly fond of the release in general at this point, but some of the guitar parts still resonate with me. \u201cCalling out\u201d &amp; \u201cEmpty\u201d in particular still evoke something meaningful. Melancholic, in a way I\u2019ve always appreciated.<\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><strong>\u2014What\u00b4s the meaning of Ortrostasce? It should be pronounced Or-tro-task, doesn&#8217;t it?<\/strong><\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\">\u2014Correct! It&#8217;s both a blessing and a curse. The name has no official meaning and is entirely invented. Easy to find, difficult to pronounce. For me, it carries shifting interpretations. <em>\u201cthe one who slips between meanings,\u201d<\/em> or <em>\u201che who wakes in other versions of himself.\u201d <\/em>Depending on the night.<\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\">It wasn\u2019t something I carefully planned or analyzed. It simply emerged, arriving on its own, or perhaps never fully arriving at all.<\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><strong>\u2014In the album <em>Past and Present<\/em>, you put together your tracks from 2010 to 2012, right? The music is dark and gloomy. What were your influences back then? Were you listening to a lot of goth rock (well, you have another post-punk project at the time)<\/strong><\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\">\u2014<em>Past and Present<\/em> compiles tracks from that period. At the time, I was drawn more to a more experimental electronic\/ minimal synth sound than to traditional goth rock. While I did have a post-punk project, the darker, synth driven atmosphere of these tracks were shaped primarily by my interest in synthesizers and drum machines rather than any specific genre. I was listening to artists like <strong>Staccato du Mal<\/strong>, <strong>Opus Finis<\/strong>, <strong>Felix Kubin<\/strong>, and <strong>Doxa Sinistra<\/strong>. It\u2019s perhaps obvious, ha, ha, ha!!\u00a0 but I\u2019ve always been drawn to melancholy. Always and forever<\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><strong>\u2014Then you released <em>11\/13<\/em> and <em>Phase Four<\/em>, I guess these compilations reflexes your instrumental evolution and you movement till a more danceable material. How was that evolution during these days, according to you?<\/strong><\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\">\u2014Most of these tracks were created around the same period as <em>Past and Present<\/em>. I moved back to Florida in 2013, which is when I recorded the tracks for <em>Phase Four<\/em> straight to tape. While the production is raw and harsh, I still have a strong attachment to that work. I\u2019m constantly creating and exploring new sounds to keep the process engaging for both myself and the listener, though primarily for me. Despite this, I believe my overall sound has remained consistent throughout.<\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><strong>\u2014You released a split with Silent EM, who is also your friend and is playing too at Ombra. We already asked him about you, so is your turn of telling us what do you like<img decoding=\"async\" class=\"alignright wp-image-520960\" src=\"https:\/\/elgarajedefrank.es\/wp-content\/uploads\/2025\/12\/Ortro-Live-Collage-225x300.jpg\" alt=\"\" width=\"470\" height=\"627\" srcset=\"https:\/\/elgarajedefrank.es\/wp-content\/uploads\/2025\/12\/Ortro-Live-Collage-225x300.jpg 225w, https:\/\/elgarajedefrank.es\/wp-content\/uploads\/2025\/12\/Ortro-Live-Collage-768x1024.jpg 768w, https:\/\/elgarajedefrank.es\/wp-content\/uploads\/2025\/12\/Ortro-Live-Collage-1152x1536.jpg 1152w, https:\/\/elgarajedefrank.es\/wp-content\/uploads\/2025\/12\/Ortro-Live-Collage-1535x2048.jpg 1535w, https:\/\/elgarajedefrank.es\/wp-content\/uploads\/2025\/12\/Ortro-Live-Collage-1920x2561.jpg 1920w, https:\/\/elgarajedefrank.es\/wp-content\/uploads\/2025\/12\/Ortro-Live-Collage-1170x1561.jpg 1170w, https:\/\/elgarajedefrank.es\/wp-content\/uploads\/2025\/12\/Ortro-Live-Collage-585x780.jpg 585w, https:\/\/elgarajedefrank.es\/wp-content\/uploads\/2025\/12\/Ortro-Live-Collage-scaled.jpg 1919w\" sizes=\"(max-width: 470px) 100vw, 470px\" \/> in his music?<\/strong><\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\">\u2014Jean has become a close and valued friend. I don\u2019t have many deep personal connections within the synth scene, but we immediately clicked.<\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\">From a musical perspective, he\u2019s slept on. A FORCE! In terms of writing, mood, and lyrical content, his work is entirely original, simultaneously nostalgic, authentic, and gushing with raw energy. I\u2019m also playing guitar for <strong>Silent Em<\/strong> at Ombra and later Euro\/Uk Dates. Honored to be part of his performances. Exceptional performer. NOT TO BE MISSED.<\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><strong>\u2014In your first album and in <em>Monument Of Existence,<\/em> you compose in a wide range of musical genres from cold wave, post-punk, EBM, ambient&#8230; Being an artist that have worked on so many different genres, what are, according to you, the elements that you can always find in an Ortrotasce track?<\/strong><\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\">\u2014Across my work, regardless of genre, I think the defining elements of an <strong>Ortrotasce<\/strong> track are atmosphere, emotional honesty, and textural depth. Whether it\u2019s cold wave, post-punk, EBM, or whatever, I\u2019m always focused on creating a sense of space and mood, layering sounds to evoke feeling, and maintaining a consistency in tone and energy that reflects my personal vision.<\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><strong>\u2014From 2017 to 2022 you released nothing. Were you working in a different project?<\/strong><\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\">\u2014I have many projects, a byproduct of my restless, A.D.D. nature. Much of my time is spent not writing conventional music at all but delving into the depths of electronic instruments. Eurorack and modular synthesis being my primary playground. Even in moments of apparent stillness, I\u2019m conjuring. Building tracks for other monikers, exploring hidden corners.<\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\">I have a few other projects that wander down different paths. <strong>Skinner Follie<\/strong>, <strong>Hinkie Pearl<\/strong>, <strong>Mr. Service.<\/strong> Each a distinct experiment, a fragment of the ever-shifting world I\u2019m creating, Musically.<\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><strong>\u2014Your &#8220;come back&#8221; EP <em>I Remember My Past Life In Great Detail<\/em>\u00a0is a bit more post-punk\/new wave. Can you please tell us more about this enigmatic EP?<\/strong><\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><strong>\u2014<\/strong>Ah, yes! I really love these tracks. I originally performed them live under my <strong>Skinner Follie<\/strong> moniker, but I chose to release them as <strong>Ortrotasce<\/strong> to deliberately shift expectations and take listeners in a completely different direction. My goal was to create something more primal, worldly, exotic\/dark and mysterious, with orchestral textures and unconventional sounds woven throughout. I wanted each track to feel unique, to exist as its own distinct sonic world.<\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><strong>\u2014Last album released by Dark Entries, a label that it&#8217;s famous for its 80s reissues. Are you also a fan of the label, are you interested in old material?<\/strong><\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><strong>\u2014<\/strong>I\u2019ve always been a fan of Dark Entries. Josh is fantastic and a real pleasure to work with. I tend to gravitate toward older music and have a genuine preference for it.<\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><strong>\u2014<em>Dispatches from Solitude<\/em> is more synth pop. What made you move in this direction?<\/strong><\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><strong>\u2014<\/strong>I just needed to move on and explore different directions. I wouldn\u2019t call it synth-pop. Haha, but overall, the material is a bit less gloomy than my previous work.<\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><strong>\u2014Your music has a nostalgic vibe. Do you think that now a days we are living in a too nostalgic society?<\/strong><\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><strong>\u2014<\/strong>I appreciate that, truly. Without sounding too harsh, I feel that many modern synth and goth acts lack a sense of nostalgia. I\u2019m drawn to the feel and energy of music from the past. There are depth and character that\u2019s often missing today. Too often, contemporary music feels overly polished, without connecting to what came before, Perhaps that even applies to me at times. Regardless, I give full credit and respect to the music of the past. It\u2019s where so much of my inspiration comes from.<\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><strong>\u2014<em>Dispatches from Solitude<\/em> was recorded partly during Covid, how did living isolated influenced the composition of the album?<\/strong><\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><strong>\u2014<\/strong>That period helped me a lot both creatively and emotionally. Covid was such a strange, disorienting time, but the isolation gave me the space to really focus. I ended up writing and recording pretty much all the tracks during that period. I also locked in on production. I still feel I lack in that department, however.<\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><strong>\u2014Some keyboards remind me of Martial Canterel, was he an influence in your music?<\/strong><\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><strong>\u2014<\/strong>Haha, yes. Even during my earliest recordings. Sean demonstrates remarkable use of modular synthesis, as well as a strong sense of melody and structure.<\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><strong><img decoding=\"async\" class=\"alignleft wp-image-520975\" src=\"https:\/\/elgarajedefrank.es\/wp-content\/uploads\/2025\/12\/Ortro-Miami-300x167.png\" alt=\"\" width=\"470\" height=\"262\" srcset=\"https:\/\/elgarajedefrank.es\/wp-content\/uploads\/2025\/12\/Ortro-Miami-300x167.png 300w, https:\/\/elgarajedefrank.es\/wp-content\/uploads\/2025\/12\/Ortro-Miami-1024x571.png 1024w, https:\/\/elgarajedefrank.es\/wp-content\/uploads\/2025\/12\/Ortro-Miami-768x428.png 768w, https:\/\/elgarajedefrank.es\/wp-content\/uploads\/2025\/12\/Ortro-Miami-1536x856.png 1536w, https:\/\/elgarajedefrank.es\/wp-content\/uploads\/2025\/12\/Ortro-Miami-2048x1142.png 2048w, https:\/\/elgarajedefrank.es\/wp-content\/uploads\/2025\/12\/Ortro-Miami-1920x1071.png 1920w, https:\/\/elgarajedefrank.es\/wp-content\/uploads\/2025\/12\/Ortro-Miami-1170x652.png 1170w, https:\/\/elgarajedefrank.es\/wp-content\/uploads\/2025\/12\/Ortro-Miami-585x326.png 585w\" sizes=\"(max-width: 470px) 100vw, 470px\" \/>\u2014I think that the influence of italo disco is more evident in this album, although it was already present before. What do you find interesting in the genre?<\/strong><\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><strong>\u2014<\/strong>Captivating melodies and rich vocal harmonies.<\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><strong>\u2014What kind of gear did you use for the album?<\/strong><\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><strong>\u2014<\/strong>Most was created using Eurorack and the ARP 2600M for sequences, basslines, and textural rhythmic elements. Drums were primarily samples and programmed in Ableton. For pads, leads, and other sounds, I relied heavily on the Korg Wavestate, which I absolutely love for its versatility and sample-based collection of everything you could ever want.<\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><strong>\u2014You said that &#8220;The freedom of being alone is glorious&#8221; about working by yourself. But you also play in a band, called Chlorinefields. With them you have released some singles and an album. The style is quite different from the music that you do under the Ortrotasce name. What can you please tell us about this?<\/strong><\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><strong>\u2014<\/strong>That was a project led by a friend of mine from South Florida. It was a full band, and I contributed guitar and synth. The project was short-lived, and the music leaned more toward indie, with a Stereolab-like vibe. Coordinating a full band at this stage in life is challenging, as everyone has different commitments, but I truly enjoyed the experience of playing with them.<\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><strong>\u2014What are your\u00a0 plans for the future?<\/strong><\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><strong>\u2014<\/strong>I only live in the NOW.<\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><strong>\u2014What can the public of Ombra expect of your concert?<\/strong><\/span><\/p>\n<p><span style=\"font-family: georgia, palatino, serif; font-size: 12pt;\"><strong>\u2014<\/strong>ROMANCE + WAR!<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nic Hamersly, with his project Ortrotasce, has been demonstrating for over fifteen years a special&hellip;<\/p>\n","protected":false},"author":1,"featured_media":520927,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"no","_lmt_disable":"","footnotes":""},"categories":[30,864],"tags":[313,415],"class_list":["post-521249","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews","category-ombra-2025-en","tag-darkwave-en","tag-synthpop-2-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Interview: Ortrotasce &#8212; 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