{"id":37685,"date":"2021-11-25T17:35:10","date_gmt":"2021-11-25T16:35:10","guid":{"rendered":"https:\/\/elgarajedefrank.es\/?p=37685"},"modified":"2021-11-25T17:35:10","modified_gmt":"2021-11-25T16:35:10","slug":"sinners-day-2021-sunday","status":"publish","type":"post","link":"https:\/\/elgarajedefrank.es\/en\/sinners-day-2021-sunday\/","title":{"rendered":"Sinner’s Day 2021: Sunday"},"content":{"rendered":"

The second day of the festival was characterized by some really good concerts and the bad weather, especially the cold (the venue had some big open windows at the top to guarantee a proper ventilation) and the issues created by the rain. After the long Saturday, we started to feel a bit tired during this day in which we stayed from 11:00 to 1:30 a.m. without stop. <\/span><\/p>\n

Photos: Patrice Hoerner<\/strong><\/span><\/p>\n

Empathy Test<\/strong><\/span><\/p>\n

The festival started with a band we like a lot: English synthpop act Empathy Test<\/strong>. The singer Isaac Howlett did not seem especially happy of playing that early and, although we understand his position and it\u2019s normal that a band with their level wants to play later, we can also understand that the organization wants to have the festival full since the first hour of the day. And they achieved it as the audience was quite numerous for the concert. The three-piece started with \u201cMonsters,\u201d title track of their last album. They continued with \u201cEmpty Handed,\u201d \u201cVampire Town,\u201d \u201cStop\u201d where the singer proved his amazing vocal capacities, the great track \u201cBare my soul\u201d and the powerful \u201cFear of Disappearing.\u201d We were waiting for their wonderful \u201cLosing touch,\u201d and it was perfect, the first magic moment of the day. The concert came to an end with \u201cHere is the Place.\u201d An insuperable way of starting a festival.<\/span><\/p>\n

\"\"<\/span><\/p>\n

Haujobb<\/strong><\/span><\/p>\n

When the second band of the day it\u2019s Haujobb<\/strong>, it means that the festival has a really great line-up. The duo gave an incredible show, starting with \u201cAntimatter,\u201d and continuing great tracks such as \u201cInput Error,\u201d \u201cThe Noise Institute,\u201d a \u201cnew one\u201d from 2011 entitled \u201cLittle World\u201d that had violins played by In the Nursery<\/strong>, \u201cRenegades of Noise,\u201d the very powerful \u201cDead Market\u201d and the awesome \u201cHouses and Gardens,\u201d the first track that the band released. Great.<\/span><\/p>\n

\"\"<\/span><\/p>\n

Korinthians<\/strong><\/span><\/p>\n

Korinthians<\/strong> were in charge of opening the Belgian stage. I already knew the band as I reviewed their self-released album Chaos Control. It\u2019s a four piece with a very interesting first work, as I commented back in the day. Two of the best moments of the concert were their cover of Joy Division<\/strong>\u2019s \u201cA Means To An End\u201d and the fantastic ending with their great \u201cIcarus Airlines.\u201d Really good.<\/span><\/p>\n

\"\"<\/span><\/p>\n

Le\u00e6ther Strip<\/strong><\/span><\/p>\n

Claus Larsen<\/strong> played, on his own, another of his great concerts. It doesn\u2019t matter how many times you have seen Le\u00e6ther Strip<\/strong>, his visceral EBM will always surprise you. He started with all long, powerful and stark version of \u201cDon\u2019t Tame your soul\u201d and continued leaving us open-mouthed with, \u201cCivil Disobedience,\u201d a very hard \u201cStrap me Down,\u201d \u201cEvil Speaks,\u201d a tremendous \u201cJapanese Bodies\u201d and a great interpretation of \u201cAdrenalize Rush.\u201d Fantastic as always.<\/span><\/p>\n


\n\"\"<\/span><\/p>\n

The Delvers<\/strong><\/span><\/p>\n

The Delvers<\/strong> is a modern five-piece wave band that sings in Belgian. They played tracks such as \u201cAlles Vatte Vur,\u201d the potent \u201cRobotman,\u201d combative songs like \u201cWij worden wakker\u201d and a cover of Grauzone<\/strong>\u2019s \u201cEisb\u00e4r.\u201d Interesting.<\/span><\/p>\n

\"\"<\/span><\/p>\n

BFG<\/strong><\/span><\/p>\n

Classic Goth rock band BFG<\/strong> started with a very powerful introduction in which we could notice that they came with three guitar players on stage. BFG<\/strong> released their classic albums at the end of the eighties, came back in 2016 and now, classic guitar player, Mike Simii has recently published a successful book. From the initial \u201cLove Grind,\u201d in which one of the guitar players used a doll as slide to the end, they gave a great spectacle. They played some potent versions of classics such as \u201cAnonymous,\u201d \u201cSwitch,\u201d \u201cMyth Club,\u201d \u201cWestern Sky,\u201d \u201cHigher The Heaven Is,\u201d \u201cParis\u201d and \u201cAmelia.\u201d The audience really enjoyed the concert and a proof of that it\u2019s the large number of fans that run to the merchandise stand to buy the CDs and t-shirts. <\/span><\/p>\n

\"\"<\/span><\/p>\n

Mars Model<\/strong><\/span><\/p>\n

Although we are not living in Belgium, I like to think that we keep pretty much up to date with the new Belgian bands. And so, we knew the following band The Mars Model<\/strong> and even own a copy of their first EP. Very powerful, epic and with killer-guitar riffs, the band had a very punchy sound. For all of you that want to know a bit more about them, we will try to interview them next year. Meanwhile, listen to their EP entitled FrancoBelga<\/em> and their new singles.\"\"<\/span><\/p>\n

A Split-Second<\/strong><\/span><\/p>\n

It can give the impression that I am exaggerating, but A Split-Second<\/strong> gave another magnific concert. With such as setlist and keeping their sound as classic as possible, not too many things can go wrong. They started with “Colonial Discharge” and already in the second track, “Rigor Mortis,” the audience went mad. Continuing with “Backlash,” “Firewalker” and “Vengeance C.O.D.” as you can guess, the intensity didn’t decrease. During the last track commented, the singer hit the electronic pad with both his elbows and head. We could not stop dancing with tracks as “The Colosseum Crash,” “Mambo Witch,” the great “On Command” and “Flesh.” Fantastic.<\/span>
\n\"\"<\/span><\/p>\n

Such Beautiful Flowers<\/strong><\/span><\/p>\n

We did not know Belgian coldwave band Such Beautiful Flowers<\/strong> and they were a very nice surprise. Powerful and with a lot of darkness we enjoyed their music so much, we did not hesitate and bought their first EP after the concert. Among the tracks played, let\u2019s point out \u201cPurest light\/Blackest Curse\u201d and an original and minimal cover of \u201cI wanna be your dog.\u201d Please give the band an opportunity, you won\u2019t regret it.\"\"<\/span><\/p>\n

And Also The Trees<\/strong><\/span><\/p>\n

English band And Also The Trees<\/strong> played, according to me, the best concert of the festival: 45 sublime minutes of the best Goth music. Already during the introduction, first with the guitar player by himself and soon with the singer reciting, we could feel that it was going to be magic. They took intensity to a new level and really stood out in tracks such as \u201cShantell,\u201d with their characteristic sound. As a fun anecdote, the singer lost his mic stand and had to look for it later. Passion and drama combined with an infallible setlist. They also played an explosive \u201cSo this is silence, and the classic \u2018Virus Meadow.\u2019 If in the future, they play somewhere not too far from where you live, don\u2019t hesitate and go to see them. Breathtaking.<\/span><\/p>\n

\"\"<\/span><\/p>\n

Enzo Kreft<\/strong><\/span><\/p>\n

We were not the only fans who wanted to see the minimal synths pioneer and the Belgian stage was practically full. He commenced with \u201cWoke up this morning,\u201d continued with \u201cBreathtaking Beast\u201d that was great, a prophetic \u201cNature isn\u2019t bound by borders\u201d and other tracks from his last album, \u201cDifferent World,\u201d such as \u201cOstrich Politics.\u201d Around the second part of his concert, he started having some problems as the rain, together with the powerful wind, started to fall on the Belgian musician. Through the beams of light, we could see a persistent curtain of rain that could endanger his gear. The concert had to be stopped and after some tense minutes, the organization managed to solve the issue and the gig continued. Proving to be a great professional, Enzo<\/strong> continued with \u201cConnected,\u201d one of the best tracks from his previous works Control, and the final \u201cIt\u2019s going on and on.\u201d Even with the problems, it was a great concert. As a fun note, after the concert, the DJs played \u201cThe rain\u201d by The Cult.<\/strong><\/span><\/p>\n

\"\"<\/strong><\/span><\/p>\n

The KVB<\/strong><\/span><\/p>\n

It\u2019s always nice to see a band as special as The KVB.<\/strong> The band had the luck that because of the weather almost everybody was inside, something that the band really deserved. They are really unique at the art of creating atmospheres and managed to surround us with their sound in songs such as \u201cInto Life,\u201d \u201cWorld on Fire\u201d or \u201cDayzed\u201d like some young Jesus and Mary Chain.<\/strong> Very enjoyable.<\/span><\/p>\n

\"\"<\/span><\/p>\n

Diary Of Dreams<\/strong><\/span><\/p>\n

Sadly, their gear got wet, and they could not play.<\/span><\/p>\n

A Slice of Life<\/strong><\/span><\/p>\n

Finally, we could see live A Slice of Life<\/strong>, a five-piece post-punk band that we interviewed a few years ago and since then we have been looking forward to seeing their concert. The creators of Restless<\/em> are one of the most interesting post-punk new bands of the moments and we were happy of seeing them in such a good spot. Dirk Vreys, the singer, appeared with his son as they did in Sinner\u2019s Day Special with their side band The ObsCure. Robert<\/strong> Smith<\/strong>\u2019s influence can also be heard in A Slice of Life<\/strong>, but they proved to have a sound of their own. They played a few songs of their first album such as \u201cSweet Sin\u201d and new material in the form of \u201cSeven Days\u201d or \u201cWhat doesn\u2019t kill Make me stronger,\u201d and \u201cLiefde Is Oorlog,\u201d one of their best compositions with a powerful ending. Really good.
\n\"\"<\/span><\/p>\n

Your Life on Hold<\/strong><\/span><\/p>\n

We continued at the Belgian stage with the Goth rock band Your Life on Hold,<\/strong> that proved that the country could be top exporters of these kinds of sounds. The deeper voice of John Wolf and the great atmospheres are the strong points of this band that gave us a glance of their career with the great guitar work of \u201cAlready Lost,\u201d \u201cNowhere train\u201d or \u201cAnywhere Out there.\u201d They left us speechless.<\/span><\/p>\n

\"\"<\/span><\/p>\n

Covenant<\/strong><\/span><\/p>\n

After a first track played behind the curtain, the future pop band Covenant<\/strong> opened fire with \u201cBullet\u201d that was followed by \u201cAll That Is Solid Melts Into Air,\u201d one of the best tracks of their last EP. We had a great interpretation of a funny Eskil in \u201cFwx1 (coming home)\u201d and the band had a great sound, something normal if you have Daniel Myer and Joakim Montelius in your ranks. They were great in \u201cThe Men,\u201d Eskil spoke about his love for Gary Numan,<\/strong> and they made us really happy with \u201cRitual Noise.\u201d The only negative point: we missed a lot of our favorite songs.
\n\"\"<\/span><\/p>\n

Funeral Dress<\/strong><\/span><\/p>\n

Using the bloody \u201cThe Final Countdown\u201d as intro track, the Belgian punk band Funeral Dress,<\/strong> made their entrance. The concert consisted in a list of hymns interpreted with pure Oi! spirit. Only with the names of the songs, you can get an idea of how the atmosphere of the concert was: \u201cDeath and Glory,\u201d \u201cCops are not human beings,\u201d \u201cSex Drugs and Rock And roll\u201d or \u201cParty On,\u201d this last sang with the public. In between they played a cover of \u201cDown Under\u201d sang by the guitar player. Energetic and quite fun.<\/span><\/p>\n

\"\"<\/span><\/p>\n

Gary Numan<\/strong><\/span><\/p>\n

If we consider Intruder<\/em> the best music that Gary Numan<\/strong> can offer today, his concert at Sinner\u2019s Day was the best that we can expect of the English musician. If you enjoyed his last album and his latest works, you would have lived a great concert. If you are still in love with Replicas,<\/em> just wait for the time machine to be invented.<\/span><\/p>\n

One of the largest crowds of the festival congregated at the main stage to see the performance of Gary Numan.<\/strong> He started with \u201cHalo,\u201d a great beginning for a concert and continued with \u201cThe Chosen,\u201d one of the best tracks of his last album. A deafening \u201cMetal\u201d from The Pleasure Principle<\/em> was followed by \u201cMy Name is Ruin.\u201d Also from TPP<\/em> he played the classic \u201cCars\u201d that was one of the best moments of the night. We saw the concert with our colleague JL Marchal and we can tell you that he really enjoyed it. \u201cThe Fall\u201d had a central part full of noises, as we like it and \u201cIntruder,\u201d the title track of his last album sounded powerful. We also had some tracks from Splinter: Songs From a Broken Mind<\/em>, such as \u201cEverything Comes Down to This,\u201d \u201cHere In the Black\u201d and \u201cLove Hurt Bleed\u201d and the concert came to an end with the legendary \u201cAre Friends Electric?\u201d Cold and tireness made us rush to the exit but before leaving we saw that the band was returning for an encore, so we returned to see it. \u201cHaunted\u201d was the last song of the gig, one of the most applauded of the festival.<\/span><\/p>\n

Play VHere in the Black<\/span><\/p>\n

\"\"<\/strong><\/span><\/div>\n

Play V<\/span><\/a><\/span><\/p>\n

<\/div>\n

Play ViLove Hurt Bleed<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

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