{"id":3047,"date":"2019-02-13T12:17:01","date_gmt":"2019-02-13T11:17:01","guid":{"rendered":"http:\/\/elgarajedefrank.es\/?p=3047"},"modified":"2020-04-07T23:01:45","modified_gmt":"2020-04-07T21:01:45","slug":"interview-vuduvox","status":"publish","type":"post","link":"https:\/\/elgarajedefrank.es\/en\/interview-vuduvox\/","title":{"rendered":"VUDUVOX"},"content":{"rendered":"

VUDUVO<\/b>X is the project of J-C Van Thienen (formerly in BUZZ) and Olivier Thibaut, percussionist in SA42, whose first album Vaudou \u00c9lectrique<\/em> was published in 2014 and now they are going to release a new one. They will be playing with She Past Award and Dear Deer on the next 7th of March in Lille and with Larva, also in March in Li\u00e8ge. We had an interesting chat with J-C, leader of the band.<\/b><\/span><\/p>\n

\"\"\u2014Can you tell us something about the beginnings of the band, how did everything start?<\/span><\/span><\/strong><\/span><\/p>\n

\u00a0<\/span><\/span>\u2014Well, there have been two or three \u201cbeginnings\u201d so to speak\u2026 To cut a long story short, I started a solo project called BUZZ<\/strong> in the mid 80s. With a couple of other musicians, I released a tape -now re-released on vinyl on Dark Entries\u2013 and four 12\u201d which achieved reasonable indie cult status, especially \u201cKennedy\u201d and \u201cBerlin.\u201d Live, I supported Anne Clark<\/strong>, A Split Second<\/strong>, The Essence<\/strong>, Minimal Compact<\/strong>, The Neon Judgement<\/strong>, Taxi Girl<\/strong> and so on, until 1989. I never stopped playing music afterwards, but didn\u2019t get a home studio before 2006 when I decided to resuscitate the project. By then, the name had become far from original and finding another took me a good while. To boot, over a period of 4 years, the line-up kept changing every six months or so with collaborators literally jumping on the bandwagon only to leave as soon as they realized it had to be more than a hobby. I nevertheless managed to release 5 self-produced CDs, as well as numerous other tracks on compilations, from Brazil to Russia, and remixes by SA42<\/strong>, Bertrand Siffert (The Young Gods<\/b>\u2019 live engineer), David Harrow<\/strong>, People Theatre<\/strong>, Danny Briottet<\/strong> (formerly of Renegade Soundwave<\/strong>) or Dirk Da Davo<\/strong> of The Neon Judgement<\/b> to name but a few. In the meantime, BUZZ<\/strong> played from Portugal to Switzerland and Germany, sharing the bill with Cassandra Complex<\/strong>, SA42<\/strong>, Implant<\/strong> and so on. In late 2011, the guitar player pretended he was having a burnout and left ten days before a series of 9 gigs in France and Belgium so I called Olivier T. -whom I\u2019d seen playing electro-percussions live for SA42<\/strong>– and ten days later we were opening together for Parade Ground<\/strong>, and next for Implant<\/strong>, Psyche<\/strong>, Spectra Paris<\/strong> and so on. \"\"Around that time I tested the name \u201cVUDUVOX<\/strong>\u201d on various friends and fans, from the UK to Brazil which, after weeks of brainstorming, also marked a complete rebirth whilst generating positive vibes and enthusiastic feedback from all over. \u201cVUDUVOX<\/strong>\u201d was apparently a good choice: it can be pronounced easily in any country and proves to be very evocative, summarizing what to expect from us, i.e<\/i>. a mixture of dark, punkish and almost tribal, energy \u2013 i.e<\/i>. the \u201cvudu\u201d bit \u2013 coupled with old school electro, industrial and even EBM or synthpop \u2013 hence \u201cvox.\u201d As you\u2019ll have guessed, we can\u2019t be labeled that easily. Now and again some twat whines that we\u2019re \u201ctoo modern\u201d or \u201cnot post-punk enough\u201d and I couldn\u2019t care less: \u201cje ne regrette rien\u201d and I\u2019ve always stuck to my guns. We\u2019re not your average d\u00e9j\u00e0 vu<\/i> act or mere clones. So we generally find ourselves off the radar thanks to what has often been qualified as a unique, homogeneous and\u00a0immediately identifiable, sound.<\/span><\/span><\/span><\/p>\n

\u00a0<\/span><\/span>\u2014Your first album \u201cVaudou \u00c9lectrique\u201d was released in 2014, can you tell us something about the recording? It was released by an Italian label EK Product, are you still working with them?<\/span><\/span><\/strong><\/span><\/p>\n

\u00a0\"\"<\/span><\/span>\u2014<\/b>We\u2019re still working with EK Product indeed, and happily so. They\u2019re obviously an up-and-coming young label as their recent Complicity Content<\/em> 2-CD compilation is showing. After our name issue got sorted out, we agreed that Olivier should switch from electro-perx to guitar and I totally re-arranged the forthcoming album, Vaudou \u00e9lectrique<\/em>. It was pre-produced by Dirk Da Davo, finalized by yours truly, and mastered by Len Lemeire of Implant whom I\u2019d met via Anne Clark<\/strong> and who\u2019d done the mastering of all the BUZZ<\/strong> albums. By then, Amedeo, who runs EK Product and had distributed BUZZ<\/strong> in Italy, had offered to sign us ASAP without even listening to a single VUDUVOX<\/strong> demo. It was a pure matter of trust and confidence and Vaudou \u00e9lectrique<\/em> got released on EKP in November 2014. The following years have been increasingly busy; last year saw us play Northampton, Li\u00e8ge and Lille with Attrition<\/strong>, as well as Milton Keynes or Rome, before culminating with the NCN and E-Only festivals in Leipzig with Suicide Commando<\/strong>, Ash Code<\/strong> and Apoptygma Bezerk<\/strong>. And we\u2019ve also been working hard on F\u00e9tiche<\/em>, our next album, which has been delayed by more than a year now because after a couple of initial masterings at the Implant Plant I decided to re-work on various knick-knacks that nobody else but me will hear in the end! Sorry I\u2019m late but it\u2019s all for the best and it\u2019s never been so close\u2026<\/span><\/span><\/span><\/p>\n

\u2014Your concerts seem very intense, according to the videos I have seen. How would you describe your live performances?<\/span><\/span><\/strong><\/span><\/p>\n

\u00a0<\/span><\/span>\u2014<\/b>They are rather intense little events indeed as you\u2019ll have seen on YouTube for instance. We love performing live and convince new audiences, especially abroad\u2026 I\u2019ve always insisted on combining sound and vision and, on our live DVD, every accompanying vid. is synchronized to the music and bears a close relationship to the lyrics. It is generally projected directly onto us \"\"and gives each show an eerie radical feel. To be perfectly honest with you, we\u2019re not very fond of floodlights\u2026 we\u2019re not the fucking Pink Floyd<\/strong>! Our concerts are played full speed ahead with guitars, vox and machines, the aforementioned DVD and my mic stand\u2019s fetish bull skull. Plus, we use the same sound-kit from one track to the next, almost Ramones<\/strong>-like; once a punk always a punk. We\u2019re fully aware that you can only either like it or hate it but we\u2019re not prostitutes and we don\u2019t cater for an audience: no compromise, no surrender!<\/span><\/span><\/span><\/p>\n

\u00a0<\/span><\/span>\u2014You have done a remix for Zwaremachine<\/a>, we interviewed them a few weeks ago. How did the collaboration start?<\/span><\/span><\/strong><\/span><\/p>\n

\u00a0\u2014<\/b><\/span><\/span>Since that remix for Zwaremachine<\/strong> last month,\u00a0<\/span><\/span><\/span>I\u2019ve only just sent a so-far-unreleased track to the Orphans<\/em> compilation, launched by North Shadows Records to honour and support the firemen of Monchique in Southern Portugal, a region torched by hellish forest fires last Summer. No less than 38 up-and-coming European acts feature on it, including She Pleasures Herself<\/strong>, IamtheShadow<\/strong> or A Thousand Societies<\/strong> to name but a few\u2026 And every single penny (or cent more like) raised with each download will be sent to them.<\/span><\/p>\n

Over the last three years, we\u2019ve recorded quite a number for Implant<\/strong>, Llumen<\/strong>, Rhesus Factor<\/strong> (feat. Leaether Strip<\/strong>), Tragic Error,<\/strong> etc. as well as covers \u2013of Front 242<\/strong>, Indochine, <\/strong>etc.- for various albums and compilations, not to mention vocal collaborations for Synthetik Form<\/strong> and Code Six<\/strong>. And, believe it or not, we\u2019ve already started work on the third album and I\u2019ve got about 200 unreleased tracks in the pipeline, with new ones being added regularly. The newest one, demoed\u00a0yesterday, will feature I Am The Shadow<\/strong>\u2019s keyboard player Vitor J. Moreira. Fortunately, the Internet facilitates all this and helps us feel more part of a scene whereas locally we have little support and few contacts altogether, except the Sampler et Sans Reproches radio show who\u2019s been promoting that kind of music for 20 years or so and is still cutting-edge.<\/span><\/span><\/span><\/p>\n

As regards Zwaremachine<\/strong>, I was introduced to Mach Fox<\/strong> \u2013 from Minneapolis – by our common friend Severin 24 some twelve years ago. He made a logo and a remix under that name for BUZZ<\/strong> and recently offered me to remix this new kick-ass project of his. Let me tell you that \u201cthere was fun in the making\u201d but remixing other acts is always much trickier than working on one\u2019s own tracks: pressure on, pressure on\u2026 I think Mach<\/strong> was rather pleased with it and\u00a0<\/span><\/span>we\u2019ll be sharing the stage at New Wave Festival off Li\u00e8ge, next September – with Whisperong Sons – as well as a couple of other venues…<\/span><\/p>\n

\u00a0<\/span><\/span>\u2014You are going to release your second album this year, and you have already some gigs planned. It\u2019s going to be a busy year for VUDUVOX, don\u2019t you think? <\/span>Any plans of coming to Spain?<\/span><\/span><\/strong><\/span><\/p>\n

\u00a0\u2014<\/b><\/span><\/span>Yep, as I told you earlier <\/span>F\u00e9tiche<\/span><\/em> is due out pretty soon and it will be yet another busy year for VUDUVOX<\/strong> but we won\u2019t complain, far from it\u2026 My only gig in Spain was when I played Madrid\u2019s Ya\u2019sta, then an indie club, solo, as BUZZ<\/strong>, when the Movida was still going full blast\u2026 That was some night to remember indeed. VUDUVOX<\/strong> have no plans for Spain so far but \u2013 joder!<\/i> – that would truly be de putamadre, hombre\/guapa<\/i> and any proposal will be happily considered; so fire away!<\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

VUDUVOX is the project of J-C Van Thienen (formerly in BUZZ) and Olivier Thibaut, percussionist…<\/p>\n","protected":false},"author":1,"featured_media":3072,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[30],"tags":[319],"class_list":["post-3047","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews","tag-ebm-2-en"],"yoast_head":"\nVUDUVOX — El Garaje de Frank<\/title>\n<meta name=\"description\" content=\"Interviews — Interview to VUDUVOX, an interesting duo mixing electro, EBM and industrial music.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/elgarajedefrank.es\/en\/interview-vuduvox\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" 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