{"id":28617,"date":"2021-01-26T16:23:36","date_gmt":"2021-01-26T15:23:36","guid":{"rendered":"https:\/\/elgarajedefrank.es\/?p=28617"},"modified":"2022-04-18T22:49:46","modified_gmt":"2022-04-18T20:49:46","slug":"hapeople-3-55-el-dia-de-la-bestia-part2-war","status":"publish","type":"post","link":"https:\/\/elgarajedefrank.es\/en\/hapeople-3-55-el-dia-de-la-bestia-part2-war\/","title":{"rendered":"H\u00e0;PEOPLE.3.55 – El d\u00eda de la Bestia Part2: War!"},"content":{"rendered":"\t\t
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As fans of \u00e0;Grumh\u2026<\/strong> (a band we interviewed one year ago), we are always interested in everything related to those EBM\/industrial pioneers and, as you probably know, in H\u00e0;PEOPLE.3.55,<\/strong> we can find two members of the Belgian band. J\u22063 SEUQCAJ and J\u220655 EKOJ, helped on stage by J \u25b3 57 nEAJ and C \u25b3 56 sIRC are the \u201cH\u00e0, People\u201d. Last year, I bought One Bear, Two Bicycles And One Xylophone<\/em>, first album of the band, a masterpiece in oppressive music, with strong influences from doom metal, and also, two years ago, we reviewed the first D\u00eda de la Bestia. <\/em>Now, with a bit of a delay, I would like to review this second part and at the same time tell you that they have already recorded a new single with three remixes of the track\u00a0\u201cControl\u201d.<\/span><\/p>

The title really fits the album as one can easily imagine that it has been created in the deepest circle of hell, with some demons as technicians. The first track, called \u201cWar\u201d, opens fire with some martial rhythms, bells, interrupted samples of voices, industrial sounds and the unmistakable voice singing about dead bodies, victory and defeat. In \u201cThe Crow and The forest\u201d,\u00a0the synths become prominent in a track with a fast pace that still keeps the heaviness. It could be synthwave if the noise did not prevail over melody and because synthwave is too fashionable to have lyrics in Latin. Compared with the previous album, the doom influences have changed to a less heavy synth sound. With \u201cRage,\u201d we almost feel like dancing in a track where the electronic part ready stands out, while \u201cThe Lost Room\u201d sounds like a black mass, and that\u2019s what probably is. The beginning of \u201cProphecy\u201d reminds me of Throbbing Gristle<\/strong>, as it\u2019s a powerful industrial song.\u00a0<\/span><\/p>

\u201cThe curse of the Stone\u201d has a very interesting production, following the industrial vibe of the previous track. Instead in \u201cSanta Muerte\u201d, we get the impression that \u201cBlue Monday\u201d is going to commence, but soon, the voice of J\u22063 SEUQCAJ, singing in Spanish and English makes us realize that it\u2019s not going to happen. \u201cThe Pagan Fire\u201d is really claustrophobic but also danceable. The album continues with \u201cPetrofied\u201d, again with a danceable rhythm, joined by some ominous chorus and industrial sounds. Instead of voices, in \u201cZombie Tales\u201d, we have some growls played along some insistent drums and\u00a0some bells that seem to advise us that the hour in which beats go hunting has arrived.<\/span><\/p>

Being the album more electronic than metal, make me think that the strange path of H\u00e0;PEOPLE.3.55<\/strong> is becoming closer to mine, and hopefully to our reader’s too.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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